Live from Imagine RIT | WUHF
First demo is from the Freshman Imaging Project @ritmps and @RITimagingsci class.
Kudos to Ev and GM for being awake and interactive at that ridiculous hour :)
https://t.co/ncCFs4Ufar
New at the ASC Clubhouse: a Breaking Away (1980) slate, shot by Brianne Murphy, ASC—the Society’s first female member. An Emmy winner, trailblazer, and Women in Film co-founder, her legacy continues to inspire.
Read more: https://t.co/y4ilkJvefP
Thanks again to Richard Coppola, motion control expert extraordinaire, for the equipment donation. This stuff as seen some great history, Madonna, Beastie Boys, HBO ‘neighborhood’ fly through…
Tune into a @beforesmag podcast episode with VFX supervisor Paul Lambert as he breaks down the visual effects of 'Dune: Part Two.' Hear how scenes like the sandworm ride, the spice harvester attack, and Fremen’s blue eyes were achieved using #VFX. https://t.co/EsQHauLj42
A quick note that the technology of @SphereVegas is part of the @RITMPS Motion Picture Science curriculum. Even better, > 50% of the faculty are @F1 fans. Emojis optional. 👀
Gabriel Casselman '27 continued a long line of RIT motion picture science students (@ritmps) to receive the Louis F. Wolf Jr. Memorial Scholarship from @smpteconnect.
🎥 https://t.co/W6kiYIlZgb
Photography alumnus Steve Giralt, the visual engineer behind the tabletop magic produced by The Garage, shared his story with @RIT_BrickCity visitors in @RITMAGIC!
📸 Myers Creative Imaging
International Artist Day continues with Good Luck Valley!
Anari, uses her mushroom spirit powers to solve puzzles and find her way back home, discovering the secrets of the Spirit World she’s fallen into along the way.
https://t.co/Rgb1knbMHE
Artist: Isabella von Frohlich
Join us on October 4th at 12pm in Wegmans Theater for Pencils, Puppets, or Pixels: It's all Animation featuring Mike Belzer. From Disney, to Warner, to Pixar, to Valve- commercials, to shorts, to features, to games — Animation unites them all. Mike Belzer has been on animation.
In 1849, the apparatus used in the third act of the stage play ‘The #Prophet’(Le prophète, Paris 16 April), to imitate the rising sun, consisted of an arc lamp fitted with a large #parabolic reflector (below).
Engraving below of Act IV scene 2 in ‘L'Illustration’ 24 April 1849.