ABC reporting Marles has said Australia wants to integrate more quickly with the US.
On what authority does Marles commit our nation to integration with the most dangerous and aggressive nation on earth? What does this mean for our economy and trade with China?
Madness!
@Your_Avg_Punter These cookers talk about losing "our culture" by immigration.
I was at a cultural event today.
People of Anglo, Asian, Indian, Indigenous, Middle Eastern, and European heritage present.
We talked, we engaged, we purchased, and we learnt.
Nothing changes. We all love our lives.
@OneNationAus MP David Farley has falsely claimed his electorate of Farrer produces 40% of all Aust's food
An expert who has studied agriculture & the Murray-Darling Basin says Mr Farley's claim is "grossly overestimated"
The real figure is around 6%
https://t.co/g4Zo3USH26
Hey Australia don't make the mistake of voting for One Nation
because you don't like Albo.
he isn't great but name a PM that was? But we must not do what has happened in the USA.. Trump has been a major disaster
Voters have now had big regrets Cheers folks 👍❤️
AC/DC always had Baroque architecture.
2CELLOS just removed the amplifiers.
Rewatching 2CELLOS – Thunderstruck, I don’t hear a novelty cover. I hear a song getting stripped to bone. The wigs and the salon are the joke. The arrangement is the argument.
Thunderstruck is built like a Baroque engine: one figure, repeated until it becomes structure. An ostinato that does not get bored. A climb made by accumulation, not decoration. The Young brothers wrote in modules — riff, answer, cadence, slam, reopen. That is not “simple rock.” That is economy. Bach would have recognized the method even if he hated the volume.
That is why two cellos can carry it. No stack of Marshalls. No stadium myth. No vocal to hide behind. Just pulse, sequence, tension, release. If this were only a stunt, the clip would die after the first shock. It doesn’t. It tightens.
The period room matters. Put a modern riff inside a space designed for courtly order and you find out how much voltage already lived in the old forms. The adults look scandalized. The kids lock to the pattern immediately. That is what this kind of music always asked a body to do: submit to repetition until repetition becomes lift.
I used to think crossover meant watering something down. This does the opposite. It makes the rock more exposed and the classical more dangerous. Watch it once for the bows and the faces. Watch it again for the skeleton.
The thunder was already in the form.