Had a great time moderating a panel with a range of small studios who punch above their weight in terms of clients and impact. My panelists were rockstars.
@thenickpattison , who does full brands in as little as two weeks, most famously having branded @Lovable among others in 10 business days
@theShaneLevine who embeds directly into AI-native teams, disrupting the whole model of "hiring outside help" and building alongside the team
@jameygannon, who not only uses AI to deliver unique, creative work but hands off AI skills and tools to help clients help themselves moving forward
@Danielgbright who's made six figures providing not just product design and branding but ads and growth, a must-needed offering in a time when anyone can make an app quickly
AI has changed design fundamentally and the new school of designers are evolving the idea of a "design studio" along with it. Fascinating to see how's its all happening in real time.
Thanks @contra (a platform for agencies), I wish this was around when I was running my own design agency!
Last week we brought together studio founders, designers, and independents at the Contra office to talk about the future of creative studios.
Huge thank you to our panelists @Danielgbright, @theShaneLevine, @jameygannon, and @thenickpattison, and our moderator @RonGoldin for sharing their insights.
And to everyone who joined us, thanks for making it such a great night! More to come 🚀
It’s almost incomprehensible how wide the distance is between someone who’s working at the frontier with AI and basically everyone else right now.
The crazy thing is these lines are not converging, but only growing farther apart. If the curve of AI progress had leveled off, it would certainly have given most people and companies time to catch up or implement their workflows in a standardized way. The technology would have neutralized competitive advantage because everyone would be using it the same way.
But what’s happened is the opposite. The curve of AI progress is basically going vertical right now, which means if you had codified your processes 3-6 months ago you’re likely already behind again. Now imagine most companies that kicked into gear a year ago and thought that they were done. Even further behind now.
I’ve never seen a technology in my life and career that improves at this rate, which consequently means you need to upgrade your expectations at a similar rate. Our brains weren’t wired for this, and our organizational change management processes certainly weren’t either.
With any form of recursive self improvement, things just get wilder. It’s a time when you will need to be constantly reevaluating the things that didn’t work just a couple months ago to see if they now can be solved. AI native companies certainly have a strong advantage due to this right now, so now it comes down to can the bigger companies keep up. Wild times.
Bringing together NYC's studio founders, designers, and independents to talk building creative businesses, workflows, tools, and AI.
With @Danielgbright , @theShaneLevine , @jameygannon , and @thenickpattison . Moderated by @rongoldin .
RSVP below!
https://t.co/NwIMdqtdRt
“While existing companies are still holding meetings to debate how to shoehorn AI into their current workflows, the new generation of barbarians is ripping up traditional business processes by the roots, using ways that completely transcend industry boundaries.”
@pmarca
“The ultimate moat, or the final competitive edge worth paying for, in my opinion, is an opinion.
A perspective that only you can see, because the uniqueness of your life experience created it.”
I’ve been building an idea museum for years and never had a name for it.
Nice one, @thedankoe.
The diversity of people who boast the title “Product Designer” is more divergent today than it ever has been, and it’s only widening. In one week of interviews, you might talk to a designer coming from agencies building identity systems for consumer launches. In another conversation, a designer ships React components, maintains the design system's token pipeline, and leaves a handful of agents running overnight to generate test variants.
Going into 2027, “product designer” mostly tells you someone works on software (usually) and spends time thinking about how a product works, how it looks, and who it’s for.
Titles, company logos, and even specific initiatives don’t tell the story of what a designer is great at and how they might fit the needs of a business.
So I’ve been thinking about a small, shared vocabulary that a candidate can use to say who they are, that a hiring manager can use to say who they need, and that both can use to talk about where a designer grows next.
Read on:
https://t.co/fkVmFklDud
@benjitaylor Some version of taste for sure. But tailoring a product to a specific user and brand and creating something differentiating is not something AI just does on its own today.
I shared some behind the scenes on what it took to redesign my design leadership portfolio in my latest Substack. Rest assured, designers (and non-designers): making something bespoke and tasteful still takes a lot of work, even with AI.
I pushed about 120 PRs all-in.
The hype video took about 22 iterations to dial in fully.
The remarkable thing is doing this all in a week and change without an engineer or opening Figma once (though I still love a canvas).
Learn how I design with jigs, speak to AI like Rick Rubin would, leverage mobile as its own unique playground, and try to make a portfolio that's personal and playful while still feeling professional.
The article:
https://t.co/5HOq35WwsX
The portfolio:
https://t.co/8n1CcYr9b9
Craft in some ways is a mastery of words as much as it is images now.
This is an actual prompt I just typed: When the click and drag first happens, can you send a gentle wave of subtle vibration across the grid starting from the center of the click? It should defuse as it travels so by the time it reaches the edges its gone, think of dropping water into a still lake.
Something wild happened to me with Claude today. I'm working on a sizzle reel in Opus 5.5. I give Claude the script and ask it to cut me some videos from a website. It told me it would be better if I did it myself because I would do a better job getting exactly the right shots. It then explained how it could help by trimming it to the best bits and that I don't need to be too careful about my cuts.
Why this is so remarkable to me:
It's the first time I felt like a true collaboration between human and machine, where the machine is humble enough to recognize its limitations and my relative strengths, and asks for help. That's literally what collaboration is about. Let's have more moments where LLMs reveal their limitations and ask for human intervention.
@AnthropicAI