SuperchiefGalleryNFT

The 1st NFT Gallery in the world.

[SuperchiefGalleryNFT @SuperchiefNFT]

An entire gallery full of our work.

[Laurence Fuller @LaurenceFuller]

an entire gallery full of my work

[SuperchiefGalleryNFT @SuperchiefNFT]

🫶👏👏👏

[8NAP ART @8NAP_ART]

MINTING: Digital Encounters Phase 5 Editions

NOW: Allowlist access
(Allowlist remains open until Wednesday at 4pm ET)

Editioned works by:
Alfredo Salazar-Caro
@Dalos
@RobertMallary

Collection page and pricing 👇

[SuperchiefGalleryNFT @SuperchiefNFT]

@mpeyfuss 🫶👏👏👏

[SuperchiefGalleryNFT @SuperchiefNFT]

@Dalos @8NAP_ART @jared_poz @anahuacalli 👏👏👏👏🙌

[SuperchiefGalleryNFT @SuperchiefNFT]

@DCinvestor I spit my coffee when I read regarded.

Never seen that move before.

[SuperchiefGalleryNFT @SuperchiefNFT]

💪💪💪

[8NAP ART @8NAP_ART]

Too many lives are kept in the shadows.

For Phase 5 of Digital Encounters, Alfredo Salazar-Caro (@TMVRTX) presents Como Semillas en el Viento (excerpt 1), a focused moving-image work within the project of the same name, commissioned by Pérez Art Museum Miami in 2024.

The edition combines 3D-scanned artifacts from the Mexica pantheon with surreal, 3D-scanned portraits of migrant workers from Central and South America, honouring their lives and contributions.

Born in Mexico City, Salazar-Caro works across portraiture, documentary, video, sculpture, and XR. A sculpture by the artist is also on view at Museo Anahuacalli as part of the Digital Encounters programme.

The edition releases August 25. Reply if you’re interested in joining the allowlist for next week’s mint.

[SuperchiefGalleryNFT @SuperchiefNFT]

@8NAP_ART @TMVRTX @jared_poz Yessss

[SuperchiefGalleryNFT @SuperchiefNFT]

@AP0CALYPSE 🫶👏👏👏

[SuperchiefGalleryNFT @SuperchiefNFT]

@8NAP_ART @schmrypto @TMVRTX @Dalos @RobertMallary 👏👏👏

[SuperchiefGalleryNFT @SuperchiefNFT]

👏👏👏👏👏

[Jared_poz: 8NAP Founder @jared_poz]

The partnership with Museo Anahuacalli and Diego Rivera’s family has exceeded all expectations.

The “Digital Mythology” mints will remain open until Sept 15th

Amazing Art at incredible prices. Only on 8NAP Art. Art by @RebeccaRose @iamlaurael @g0naji @amadon

Mint link below 👇

[SuperchiefGalleryNFT @SuperchiefNFT]

@PERFECTL00P @5tr4n0 🙌👏👏👏👏

[Drift @DrifterShoots]

Climbing (And Photographing) The New York Times Tower (Part One)

A small window of opportunity presented itself to us to make a climb of one of the city’s most beautiful spire. The top of the New York Times building is about 1100 feet AGL. On this particular day we caught wind of a nondescript door that workers were coming in and out of to smoke. Following our trail of curiosity, one of us cosplayed as a worker, took a “smoke break” nearby an actual employee and caught the door going back in.

Waiting ten to fifteen seconds, all of us piled in and found ourselves injected into one of the main stairwells of the building. The hike up took a little bit, but after a few magic tricks for a locked door or two, we arrived at roof by sunset. I was eager to grab footage so I put up the drone and got to filming as my friend “E” climbed the spire first. We then swapped and I flew the drone up and filmed myself, taking one of my favorite self-portraits ever.

We ended the night by taking a few photos on the roof (see below in thread) including one of me with the front page New York Times article that changed my life. We took the elevator down and walked out, wishing security a warm goodnight. It was a good day at the office.

[SuperchiefGalleryNFT @SuperchiefNFT]

👏👏👏

[Coldie 🟦🟥 @Coldie]

TOUCH THE ART
‘En Marcha’ kinetic 3D collage at @anahuacalli. Featuring texturized assets collected by Diego Rivera. This work was created in response to my residency and tours of Rivera’s murals around Mexico City with his grandson.

[SuperchiefGalleryNFT @SuperchiefNFT]

👏👏👏

[Jared_poz: 8NAP Founder @jared_poz]

Honored to see another Digital Mythology 1:1 make the 24HR list.

m0dest with an absolute banger today’s list. Much love for all parties involved. Love this one.

[SuperchiefGalleryNFT @SuperchiefNFT]

@ryankoopmans Oh damn these are great

[SuperchiefGalleryNFT @SuperchiefNFT]

@m0dest___ @jared_poz @8NAP_ART @anahuacalli 💯🤝🤝🤝💯

[SuperchiefGalleryNFT @SuperchiefNFT]

@8888Benji @m0dest___ Love to see it 👏👏👏

[SuperchiefGalleryNFT @SuperchiefNFT]

@pridesai @eileenonline_ Was exhausted earlier and mixed up founders, fml

I stand by the thought, but spaced on the sinner.

(Appreciate y’all’s patience on that one.)

[SuperchiefGalleryNFT @SuperchiefNFT]

@pridesai @eileenonline_ The ethical implication convo being the default reply tone is soooo a result of being created by leadership with severe ethical failings.

Altman projected his issues onto his baby...

Pretttty sick of having his sins stain the process of writing a research paper.

[SuperchiefGalleryNFT @SuperchiefNFT]

The things that @flexasaurusrex does for others…

Goddamn, man.

👏👏👏

[FlexasuarusRex La Creme • 💪 🦖• @flexasaurusrex]

I found 110 ETH ($239,000) abandoned in dead Ethereum contracts & sent all of it back to the owners.

Stuck for years, recoverable through public functions nobody ever called.

Total gas to return a quarter million dollars: $0.87

Inspired build from a post I saw by @0xFlorent_

[SuperchiefGalleryNFT @SuperchiefNFT]

Forever too dope

[Drift @DrifterShoots]

A Journey Up Christ The Redeemer.

We spent the day prior disguised as “tourists” in the crowd taking photos outside the giant monument before wandering off towards some stairs that were off chained off and led down to a quiet secluded area.

In this area, there was room to drop off the side of the mountain into the jungle where we could hide. We decided if we could do the same the next day we could hide out and climb our way back up in the night and bypass much of the initial security.

We put up the drone to grab images of the locking mechanism on a secret door in the statues side. We saw what we believed to be a small padlock, and I had one single pair of lock picks with me.

The next day we put the plan in motion, dropping off from our secret area and hiding on the side of the mountain into the jungle all night until it was time to break for the monument. Up the scaffolding and at the secret door, the picks did the trick and we’d need them once again to access the doors to the arms and head of the statue.

At daybreak with workers below, we made a stealthy climb down and out through a partial jungle area and down railroad tracks to the mountains base. These are some photos from a plan that went off without a hitch.