Ville Vernus Salonen

Elokuvantekijä, YT: VernusFilm
Kulttuuri, satiiri, politiikka, yhteiskunta & Cinema❤️
tarkastelija, demokratian viihdekäyttäjä
"tieto lisää tuskaa, ymmärrys ei"

[Ville Vernus Salonen @VilleVernus]

"Tyhjyyttä on vaikea ymmärtää"-elokuvan traileri on julkaistu tänään.
Tässä pientä esimakua siitä. Linkin takaa löytyy kokonaisuudessaan. Käykääs kurkkaamassa. Mietteitä saa heittää!
https://t.co/mDMwCKmMNj

[Alex B. Loves Movies @firstshowing]

@luckilyenough The actual legal answer is because IMAX "owns" this format and this size and the point is you have to see it at their theaters to get the "full IMAX experience". That's the entire concept of the IMAX brand. But other theaters also made their own "Premium Large Format" screens.

[Ville Vernus Salonen @VilleVernus]

@lame_luka @luckilyenough So it's somewhat like 4:3. What's the problem.

[Ville Vernus Salonen @VilleVernus]

@derpo377 I'm not that weak. I'm not falling for ragebait. I'm not falling for ragebait...I'm not?

[Ville Vernus Salonen @VilleVernus]

@Saliu_ade @DiscussingFilm I somewhat understand your point but storyboarding is also a creative part of the filmmaking and artform.

[Ville Vernus Salonen @VilleVernus]

@moonfrom5to7 This is just performative

[Ville Vernus Salonen @VilleVernus]

@MarjoOllikainen "Tehdasasetuksena gentleman"

Aina sama juttu

[narancia gaming @naranciagaming]

ironically, Orson Welles gave one of the best criticisms against easy to generate ai slop

[scorsese spam account @PhilmFreak]

Scorsese’s Hallways

[Alain Astruc @alainastruc]

I think I finally understand what is wrong with Nolan: his universe is adverse to myth. It is made entirely of causality, and causality alone.

He may be the most gifted filmmaker working in big-budget Hollywood today. But he is going to crash on myth the way sailors crashed on the rocks below the Sirens.

When I criticized the teaser, I was told: wait for the trailer. When I criticized the trailer, I was told: wait for the film. Then I read the two-hour interview Nolan gave to Time Magazine, and something clicked.

The tell is in a detail Nolan offers with obvious pride. He found a solution to what he saw as a narrative problem: why would the Trojans believe the horse was empty and drag it inside their city? His answer is to make the horse half-submerged, sinking into the sea, so the Trojans would rescue it rather than accept it as a gift.

It is a solution to a problem that never was one because it is a myth. The Trojans bring the horse inside because it is a gift and it has wheels. The poet tells you something plainly impossible with the same tone he uses to describe the sunrise, and in doing so he is signaling that the level of reality goes beyond mere causality and exists on other levels.

He is the kind of guy who would explain that Santa can fit through the chimney because he designed it wide enough from the start, using proper construction methods and reliable materials. And then explain how the reindeer are fed to sustain that much effort in a single night, and how Santa elaborated a clever logistics route to deliver all the gifts on time.

Watch him justify the armor despite its fantastical look, or explain the absence of orchestra because there was no orchestra in Ancient Greece. There were no IMAX cameras either, Christopher. A simple authorial act would have sufficed: because I like it better that way. That honesty might have opened a door out of causality.

This narrative prison is precisely why people eventually seek out avant-garde and experimental cinema, why they feel something release when causality finally breaks. Because causality is already the weight of our ordinary lives.

As long as Nolan stayed away from myth, his causal world of mirrors and clever tricks and puzzles worked beautifully, sometimes brilliantly. But this is something else. This is the gut of myth. This is the Dionysian spirit of mud and blood and the salt of the sea. This is the beautiful lie that makes you erupt with sacred joy.

[Tay🦇 @TayScorsese]

Yall fav 4s so performative on here that you’re struggling to fathom someone loving:

A wonderful life
2001 a space odyssey
Godfather
Raging bull

[Ville Vernus Salonen @VilleVernus]

@TayScorsese Performative

[OT :) @otis_brown_]

@itsFilmatic Not to be a snob, but cutting out every second of dead air in the conversation really takes the sting out of this scene. Having it all compressed together like this makes the scene pretty ineffectual

[Ville Vernus Salonen @VilleVernus]

Banksyn taidetta esillä Järvenpäässä

[Ville Vernus Salonen @VilleVernus]

@MaijaMehil75545 Äärimmäisen noloa

[Christopher Hooks @cd_hooks]

Rewatching Twin Peaks and struck that the city has a population of 51k people, which means all this weird stuff is happening in a town with a shopping mall and at least five mcdonald’s

[Ville Vernus Salonen @VilleVernus]

@hatespeechpoet @AnnaAfursin1 Jos takerrut äärimmäisen väsyneesti ja laiskasti tuohon pakotukseesi niin kysytään sitten, kenen oikeus oli hakata ihminen tuohon kuntoon?

[Dr. Hawk @choppingwoodpod]

Twin Peaks after dark

[Ville Vernus Salonen @VilleVernus]

https://t.co/SDzzPfpaYA…

Tuli vedettyä hurja rooli satiirisessa lopputyö-lyhytelokuvassa.
Se on nyt katsottavissa. Erittäin hyvää vappua kaikille!

[Ville Vernus Salonen @VilleVernus]

@justinboldaji

[Juulia 🦝🇫🇮🇺🇦 @misseero]

Raflaava otsikko. Todellisuus:

"Mutta vaikka olen sanonut, ettei minua kiinnosta opiskelu ja työnteko ja olen ylpeästi työtön, haluan kuitenkin painottaa, etten ajatellut olevani työtön loppuelämääni.

Joel hakee parhaillaankin töitä, ja hänellä on myös työttömyysviranomaisen asettama työnhakuvelvoite. Työnhaku on edellytys sille, että saa työttömyystukea.

Joel kertoo hakeneensa myös hiljattain opintoihin. Myöhemmin selviää, pääseekö hän jälleen aloittamaan media-alan opinnot syksyllä."

Lukekaa ne artikkelit ennen suuttumista.