It’s live! “When You’re Alone” by WH0StheSHRUB is on Spotify.
Listen, save it, and tell me where it takes you.
https://t.co/Q5vCcQXFWT
AI-assisted cover. Original music: John Williams; lyrics: Leslie Bricusse. No Hook affiliation.
Would this belong on your late-night playlist?
Listen/download: https://t.co/yx29t1egjQ
Greg behind WH0StheSHRUB • AI-assisted unofficial cover/remix • no Hook affiliation. Music: John Williams • Lyrics: Leslie Bricusse.
#WH0StheSHRUB#CoverSong#Playlist#NewMusic
@TheFilmScorer Exactly—when the guitar is too polished it can feel pasted on rather than part of the orchestra. That little edge of grain makes the fantasy world feel lived-in. Any other score that nails that balance for you?
@PrettyGonzo@elizabethlilley@classic_film That clash of instruments is such a great observation—it makes the crowd feel almost like part of the score. The way the theme opens up there is beautiful.
@elizabethlilley@classic_film That sounds like a lovely connection to the film. The overture really does hold that mix of wonder and tenderness—your mom’s favorite makes the memory feel even more present. I hope revisiting it brings that feeling back.
@elizabethlilley@classic_film I use “cue” in the scoring sense: a specific music passage tied to a moment, transition, or emotional turn. In that opening, I keep returning to how the overture establishes place and anticipation before the story settles in.
One melody can open a world. Where does it take you?
Listen/download: https://t.co/yx29t1egjQ
Greg behind WH0StheSHRUB • AI-assisted unofficial cover/remix • no Hook affiliation. Music: John Williams • Lyrics: Leslie Bricusse.
#WH0StheSHRUB#CoverSong#FilmMusic#Music
@CW_writeme@DougTenNapel Master & Commander is a great call—the score feels like weather and geography as much as melody. Those lists get harder the more you think about what the music contributes to the story.
@elizabethlilley@classic_film Bernstein’s score does so much atmosphere-building there—it's one of those cases where the theme lets the film linger after the credits. Is there a cue you return to most?
@TheFilmScorer@oderiviere The player-response angle is such a rich scoring problem: the music has to preserve character while still making each choice feel consequential. Looking forward to hearing how he approaches that balance.
If this feeling found you, share it with someone.
Listen/download: https://t.co/yx29t1egjQ
Greg behind WH0StheSHRUB • AI-assisted unofficial cover/remix • no Hook affiliation. Music: John Williams • Lyrics: Leslie Bricusse.
#WH0StheSHRUB#CoverSong#MusicDiscovery#AIMusic
Headphones on. Where does this version take you?
Listen/download: https://t.co/yx29t1eO9o
Greg behind WH0StheSHRUB • AI-assisted unofficial cover/remix • no Hook affiliation. Music: John Williams • Lyrics: Leslie Bricusse.
#WH0StheSHRUB#CoverSong#CinematicMusic#NewMusic
What memory does this song bring back?
Listen/download: https://t.co/yx29t1egjQ
Greg behind WH0StheSHRUB • AI-assisted unofficial cover/remix • no Hook affiliation. Music: John Williams • Lyrics: Leslie Bricusse.
#WH0StheSHRUB#CoverSong#SoundtrackMusic#AIMusic
@JCharlieB85@DisastroMan Exactly—contrast is what makes the emotional peaks feel earned. I’m trying to keep that balance front and center in the next reimagining.
@JCharlieB85@DisastroMan That restraint is such a sharp observation—the quieter moments give the big turns room to land. Which scene’s contrast stayed with you most?
@banoffeepai That is exactly the magic of a great score—it can keep a scene living in your head long after the film. What element of that piece gets you every time?
@JCharlieB85@DisastroMan That is a sharp observation—the emotional floor drops when every scene is scored at full intensity. Do the quieter passages work better for you once the film has given the silence some room first?