Yash Sachdeva

Cinephile. Indian.

[Ratatouille @RatatouilleLens]

24 years later... Tobey's final swing still gives chills and no other compares to this one.

[Yash Sachdeva @YashSachdeva03]

Just mine or Jio network has been absolutely horrible over the past month or so? No proper internet, not one call without voice breaks, no proper data speeds literally anywhere. Jio has suddenly become a huge hindrance in Surat, Gujarat @reliancejio @JioCare

[B.H.Harsh @film_waala]

yes, humiliation for all the other losers who are always waiting for company to watch a movie

[The Rainmaker @WheelsandSticks]

The biggest takeaway here is the fact that @ScuderiaFerrari is stepping outside of their comfort zone and were decisive vs scripted. They acted boldly and took risk on the say so of the most dominant driver to ever race in @F1

There was no “we are looking into it” no “we will get back to you” - they are starting to trust @LewisHamilton a man who has been to the promise land and can help lead them out of the wilderness.

@Charles_Leclerc will be the biggest beneficiary from this so his fans should calm down.

#F1 #BarcelonaGP

[sha @byshaaaaaa]

i don’t think people are fully processing how insane this is. lewis at 41, in a brand new environment at ferrari, learning everything from scratch again, competing against a younger generation and still winning races. that’s GENERATIONAL LONGEVITY.

[Lewis Hamilton @LewisHamilton]

REMEMBER WHO YOU ARE

[Yash Sachdeva @YashSachdeva03]

@F1 @Charles_Leclerc @ScuderiaFerrari All hail the Dr. Robby of F1!!

[Marques Brownlee @MKBHD]

Ok last one: the rarest solar eclipse of all time. Only 4 people have seen this with their naked eyes. The sun is fully behind the moon. The only faint light hitting the near side is reflecting off of earth, 250,000 miles away. And the stars and galaxies in the background, sheesh

Nikon Z9
f/2.0
2 second exposure
ISO 1600

@NASA: https://t.co/twBqbUEDs2

[Pratim D Gupta @PratimDGupta]

The story of Ramayana has lived in so many of us for so long — in grandmother’s voices, in paintings on temple walls, in that black and white box TV with vertical hold button. So when a filmmaker decides to put it on screen in 2026 at this scale, part of you just wants to lean in and believe.

I wanted to lean in. I really did.

And there are moments in this teaser where you can feel what the film is reaching for. The ambition isn’t in question. Neither is the sincerity. This is clearly not a film being made carelessly. Someone cares deeply about this. It’s there in the framing, in the seriousness of it all.

But something isn’t quite landing yet, and I think it’s important to flag it. The attempt here is not to take down the teaser, but to be honest. Because this story, of all stories, deserves honesty.

Ranbir Kapoor is a genuinely gifted actor. I love him. Always have. The issue is something harder to spell out. Ram, as most of us carry him, isn’t expressive in the conventional cinematic sense. He’s still. The stillness of someone who has nothing to prove and has always known it.

What I’m seeing in the teaser feels like an actor carefully trying to suppress his urban softness, his romantic restlessness, that flirtatious boy energy. He is consciously embodying calm rather than someone for whom calm is simply the natural state.

It’s a small thing, but with this character, small things are everything. Maybe I’m jutting the gun and the divine stillness will settle in the actual film.

Then there’s the world the film is building around him.
It looks expensive. It looks polished. But it also looks… untouched. Like a room where no one has ever actually sat down. There’s no dust, no friction, no sense that anyone has sweated or stumbled or lived in these spaces.

Exile should feel like exile. A forest should have weight to it. What we’re getting instead feels more like beautiful environments that the characters have been placed into, rather than places they actually come from or belong.

And that matters more here than it might in any other story. Because Ramayana isn’t placeless. It isn’t a generic myth floating in some borrowed fantasy universe. It’s rooted — in geography, in memory, in something that feels recognisably and specifically ours.

When the visuals start to resemble a global fantasy template you’ve seen somewhere else before, something essential quietly slips away. Like it did in Brahmastra. The VFX didn’t serve the story. The story served the VFX.

None of this means the film is lost. Teasers aren’t films. The texture can still arrive. The performances can still settle. The world can still find its own identity rather than borrowing someone else’s.

But right now, it feels like a magnificent structure that hasn’t quite been lived in yet. The foundation is there. The scale is undeniable. It just needs its soul to show up.​​​​​​​​​​​​​​​​

Come Diwali, hopefully it will.

#ramayana #teaser #ranbir #ranbirkapoor

[Yash Sachdeva @YashSachdeva03]

@trollsports 😂😭😂😭😂😭

[gumbo @leonardcohnitis]

“Tune Dhurandhar nahi dekhi bc???”
“Homebound kya hai?”

The state of cinema in India is deeply depressing to me.

[Yash Sachdeva @YashSachdeva03]

@chiragbarjatya Can’t recommend it enough

[Chirag Barjatya @chiragbarjatya]

This perfect family is such a nicely made web series. Didn’t see people talking about it. Maybe because of the paywall on YouTube.

[isHaHaHa @hajarkagalwa]

Audience waiting for Dhurandhar 2:

[F1 TROLL @f1trollofficial]

The evolution of Max Verstappen

[Yash Sachdeva @YashSachdeva03]

@itsjussstJay @Saniya_297 Goated tweet

[Yash Sachdeva @YashSachdeva03]

Pardon my French, but Louvre ke louvre lag gaye #LouvreHeist

[Yash Sachdeva @YashSachdeva03]

@tejaspotter I heard you

[Yash Sachdeva @YashSachdeva03]

What starting out in the film industry looks like, daily

[smallie wey dey mighty @Britney_Tachie]

Today is exactly two years since my auntie took my CV to see what she can do.

[अपना Bollywood🎥 @Apna_Bollywood]

Audience failed here.