I’ve spent 8 years building a world that feels more like reality than fiction.
Lost Souls and Saga of the Fallen Sun are very different books but they’re part of the same truth. The Tale of Darkness & The Tale of Light is a series I’ve been forging for a long time, and I tried my best to make it something genuinely unique in fantasy.
I hope you read it. I hope you enjoy it.
More books are coming, same quality or better. This is just the beginning.
📖 https://t.co/kykVy0HOk9
@tlirwrites Standing in one world while imagining a thousand others is pretty much the job description. Autumn light does half the worldbuilding for you.
@landofmyst A court chief with colonial ambitions is a great engine. I'd love to know who back home loses out if he gets his colonies, because that's usually where the trouble starts.
@wphayoung@hu_li_hu_tu The first use of blood magic is such a big moment. Congrats on chapter 3! Does it cost the caster something right away, or does the bill come later?
@ADoucetteWrites The feel is a real reason. First person gives up the wide map for a voice the reader can't escape, and some stories need that closeness more than the map.
@shahf1 Agree. My test is whether the city wants something from your characters. If it pushes back, charges a price, or keeps a secret, it's a character.
In most fantasy wars, the real fight starts long before the first battle: two groups of powerful people who each believe the kingdom is theirs. Write the quarrel at the top, and the war writes itself.
A theme you force onto a story always shows. If a scene won't hold up what you believe, let it say what's true instead. The book ends up smarter than you were when you started it.
@Aetherion_Arch A calcium shaker next to the salt is the kind of small detail that makes a world feel lived-in. Practical lore like that always sticks with me.