We are delighted to announce our new cohort of film trainees, hailing from minority communities in extreme ecologies - Himachal Pradesh, Rajasthan, and Andaman and Nicobar!
Tomorrow is the final day of the exhibition 'what was to pass, remained'. This is work done by @budhantheatre during the pandemic that showcases untold stories and resilience of remarkable communities during challenging times.
Venue: University of Turin - Campus Luigi Einaudi
These are actual examples of responses the strike breaking exam markers are giving final year students.
What an absolute disgrace.
And the employer @UCEA1 stands by as the dispute grows increasingly bitter.
Please RT this so they are completely exposed.
The "Indigenous" identity can be empowering. But, as I argue in next week's @NewYorker, the push to apply it to peoples everywhere has weakened the concept, conflating it with stereotypes of "primitive" peoples & harming those it is supposed to liberate: https://t.co/S29J4eEBX5
Directed by Dakxin Chhara and our very own Alice Tilche, the film is part of the Budhan-Stories project funded by the AHRC.
The film / trailer can be viewed here https://t.co/sD8TWCMUs8
We're delighted to hear that a film by artists from India’s so-called ‘criminal tribes’ has won the Jury's Award and Honorable Mention at Quetzalcoatl Indigenous Int Film Festival. The film captures the Covid stories of communities invisible in mainstream reporting. (1/2)
New post from akshay khanna @xaefis & @alice_tilche on the Budhan-Project, a @budhantheatre community art podcast about about the Covid-19 pandemic impact on India's indigenous and nomadic communities. https://t.co/dfKWpCdObA
The exhibition is the outcome of an ambitious community-led project by Budhan and Bhasha that documented the lockdown and post-lockdown experiences of DNT and adivasi communities through the arts.
📍 Conflictorium, Ahmedabad
🗓️11am - 6pm
23 Sept 2022 - 23 Nov 2022
ANNOUNCING: 'what was to pass, remained'
@Conflictorium in collaboration with Budhan Theatre and @BhashaRaPC, supported by the @uniofleicester, invite you to an exhibition articulating a brief history of de-notified and adivasi tribes through the covid pandemic.
"During the pandemic, with the smartphone becoming the key site for entertainment, the death of traditional forms of entertainment has been accelerated." Post on Embodying Emotions in Theatre and Film. #theatre#embodiment#film#DigitalEnclosure#covid
https://t.co/O48vfjGaYZ
We have a new series of blogs based on video podcasts about the #COVID19 experiences of communities from the "denotified" Chhara tribe, a project of @budhantheatre, a collective composed of members from the local communities @alice_tilche@xaefis
https://t.co/goHfPobjMC