carlos

@__@

[carlos @calufa]

@araseb_ AI OS for SMBs

[carlos @calufa]

@JakeFleshner AI OS

[carlos @calufa]

@JakeFleshner AI OS - https://t.co/aOKAyMNWH2

[░ perfectloop ░ @PERFECTL00P]

𝘤𝘢𝘴𝘤𝘢𝘥𝘦 🪟↘️

[Gloria Isaza @gloisaza]

Final project created for HeyGen hackathon 🙂

We’ll be sharing the full workflow soon — from idea to final video.

[soli @solisolsoli]

Currents by Robert Beatty

[carlos @calufa]

@AlessandroLavis relif

[carlos @calufa]

@MichLieben ads

[carlos @calufa]

@monicaa_AI maverick

[carlos @calufa]

@spwfeijen workflow

[carlos @calufa]

@mikefutia clay

[carlos @calufa]

@davidfigeira animate

[carlos @calufa]

@maverickecom system

[carlos @calufa]

@spect3ral Heyoz

[Marc Andreessen 🇺🇸 @pmarca]

Tough but fair?

[LogoDecks™ @LogoDecks]

Aphex Twin’s Logo Wasn’t Drawn — It Was Engineered: The Paul Nicholson Story.

Paul Nicholson is a British graphic designer whose career spans music branding, typography, and visual identity work, most famously for his long-standing collaboration with Aphex Twin. Beginning in the early 1990s, Nicholson developed a reputation for clean, conceptual mark-making that merges technical drafting discipline with experimental visual language. His Aphex Twin logo became a defining example of this approach: a carefully constructed geometric form composed of controlled curves, and calculated negative space. Rather than sketching a loose symbol, Nicholson engineered the mark using measured proportions so that every stroke thickness and angle relates harmoniously to the whole. Beyond this iconic design, he has produced record sleeves, typography systems, and visual identities for electronic music labels and artists, consistently emphasizing structural clarity and symbolic strength. His work demonstrates how minimal shapes, when precisely constructed, can carry strong cultural meaning and remain visually durable across decades of reproduction and reinterpretation.

#logodecks

[carlos @calufa]

@rohit4verse Nice!