I'm honestly not stressing about getting my tracks extremely loud anymore, There are no shows there's literally no point in pushing tracks to the absolute limit. Anyone who wants to join my movement feel free to join, it'd make all of our lives as bass producers a lot easier haha
Lately I've been on an early neuro dnb kick. Pre 2004 era cause that's before my time. So much still to discover. Lmk if you can recommend anything I might not have heard. I've gone through all the Matrix, Bad Company, Stakka & Skynet, Kemal, Rob Data, Ed Rush & Optical etc.
One of the coolest things about DOOM, at least for people a certain age, is that someone put you on.
Someone tripped out on what he was doing. They they came and played it for you and you were like what the fucckkk?!
And then you ran it back.
And then you told someone else.
Once you've set your threshold so that gain-reduction is triggering reliably just on the transients, you can then refine the compression ratio to rein them in to taste. I'll regularly use ratios upwards of 5:1 here, and you may need gain-reduction values of 12dB or more in e-
i'm not gonna jump on whatever sound is currently trending and make music that everyone's going to hate in 5 years
i'm gonna do me, and make music that people hate immediately