@JosephKahn We moved in the 80s because we were young in the 80s. Today's kids move too. Regardless, viewers aren't drawn to camera work mimicking their daily physical perspectives - they're drawn to camera work that feels motivated and operated by an engaged observer. Super simple.
@LukeBarnett Similar to how the unions accelerated Hollywood’s post-streaming meltdown, they will accelerate the implosion of Hollywood’s mid-budget production pipeline and hollow out its creative executive layer. Indie filmmakers using genAI will win.
@LisaLueyLutes@LukeBarnett Ask for forgiveness not permission. I toured the world with a short film featuring deepfakes of George Clooney and Rachel McAdams without their consent. SciFi London, Fantasia, Berlin Sci-Fi filmfest, Madrid, Miami, Sapporo, Flux (LA) etc. with no issues.
@minhsmind Lots of devs without sins, or at least who play fairer. Not as engaging to highlight them, but very engaging to call them to cast the first stone!
@mitch0z It’s not a very deep bottom either. I don’t think the market for GenAI platforms is anywhere near big enough to justify the investment going into it.
Even the model makers understand their focus should be robotics not entertainment.
I really admire your intellect so I’m sure you’re aware that 95% of stuff coming out of your mouth nowadays is total BS. Great acting though.
Yes agentic coding is badass, let’s assume it makes far less mistakes than a human. Humans making vastly different mistakes is still better than AI’s making the same mistakes.
@sirchriswhiz@JSFILMZ0412 I don’t know how you define “creators”. My clients beg me to not look at the cost per generation and just send me the bill. These costs will likely only go up, and frankly the damn should.
Testing the new render-to-real IC-LoRA for LTX-2.3 from fal, Alchemized quickly using SPIELBOARD's 3D nodes system.
Harnessing the power of GPT-2, Tripo and Marble World Labs.