Iโm diving into AI cinema. ๐ฌ
Over the next months, Iโll be experimenting with Runway, Pika, Sora, Veo & other tools โ sharing what works, what breaks, and what feels truly cinematic.
If youโre playing with AI video too, Iโd love to learn from your setups, workflows & horror stories.
Hopping between tools slowing you down? Many creators are now struggling with the complexity of handling multiple applications. What tool has been your biggest time-saver recently?
#CreatorStruggles#AIFilmmaking
One AI video project. Six stages. Six different tools. That's not a workflow -- it's a scavenger hunt. No wonder tool-hopping fatigue is now the #1 complaint louder than any quality issue.
My tech stack includes Claude Code with skills, Flow, Gemini, Image 2.
What's yours?
#AIFilmmaking #VideoProduction
Exciting news! Kling 3.0 introduced 4K native video support, 15-sec clips, and multi-shot storytelling. This pushes the creative boundaries in AI video production! How will this impact your workflow? #Kling#VideoProduction
Pro tip: AI tools make clips, not films.
Editing workflow is the key challenge, not just generation quality. How do you ensure consistent characters across scenes for seamless storytelling?
#AIfilmmaking
The biggest bottleneck in AI filmmaking isn't generation quality anymore.
It's the 5-10 tool handoffs per project: generate โ upscale โ edit โ grade โ sound โ export.
What's your current stack?
#AIFilmmaking
@rirahcreates I feel you on the overloaded schedule! EdTech projects can be intense. I found setting specific time blocks for each task helped my productivity. How do you prioritize your busy schedule?
Every week the AI filmmaking debate gets framed as replacement vs. no AI.
But the actual community is mostly people augmenting tiny teams or working solo.
The loudest voices in the debate aren't the ones actually using the tools daily.
Who resonates with this?
@SnowDanny9266@elonmusk @Ifeatuchisom What kind of AI video are you trying to make - like short clips from text prompts, or editing real footage with AI? That changes which tool to start with. Curious what pulled you into it!
@SunilTeliSTR@NetflixIndia@JioHotstar@anuragkashyap72 @mehtahansal @shekharkapur Haven't navigated the festival circuit myself but a Top 60 WAIFF finish with an AI film is no joke. What was the hardest part of getting it to that level? The storytelling side or the actual generation?
@Hogwartsofweb3 Haven't tried FLUX Kontext + Veo 3.1 together yet but this architecture is fascinating. What does the handoff look like - are you prompting Veo 3.1 from the same lyric text or separately from the FLUX outputs?
@PharswanPo62000@TeamYouTube Haven't dealt with this personally but the Veo contradiction you're pointing out is genuinely hard to argue against. Did they flag all your content or only the shorts?
@heykamal__ Felt this hard. Started messing with AI video tools thinking it'd replace one step in my workflow โ ended up rebuilding the whole thing. The people who figure out how to connect these tools are basically a one-person studio now.
@damien_ira 32 parts is ambitious! I've been deep in AI video too - the hardest part for me was keeping visual consistency across scenes. What tools ended up clicking for you when the idea finally started looking the way you imagined it?
@EscrivaU21 Haven't done a proper Veo vs Grok deep dive yet - are you testing these with identical prompts or tweaking for each? Curious how much the gap changes when you push them toward the same style.