POETRY & ARCHAEOLOGY!
I can't wait to have these three inspiring poets in one place for an afternoon!
Come and join us THIS SUNDAY 2-3.30 BLACKWELLS OXFORD
Book your free place here: https://t.co/eXvW2s3NnV
@susiecampbell@blackwelloxford
POSTCARD FROM PARIS
I spent most of my time in Paris noticing for the first time all the dates that (presumably) utility companies press into drying pavement asphalt after digging it up for repairs.
Because that's the way I roll.
I was really sad to hear yesterday about the loss of stone carver and graphic designer John Andrew (1933-2021). A brilliant artist and technician who gave much of Ian Hamilton Finlay’s Little Sparta its singular look and feel, and worked on many of Finlay's most iconic carvings
The television of Jonathan Meades is driven by a democratising impulse – stressing the importance and strangeness of the places where most people in Britain actually live.
https://t.co/FjP40ddxkf
ACORN Oxford's victory on a campaign to stop discrimination against benefit recipients shows how direct action empowers tenants to break landlords' stranglehold on our cities.
https://t.co/D0f0EJd8rc
A few weeks back I had the huge pleasure of chatting to some of my favourite people about their work with Purbeck stone.
TUNE IN to @BBCR4OC at 3 to hear about quarries, fossils, footprints, finds.
Produced by the lovely Sarah Blunt
https://t.co/YlHbe3CooL
‘Designers must move away from this positive, optimistic attitude that denies the place of any negativity, an attitude that denies realism.’ So needed to read this! Am so sick of cultures of insidious compliance. Danah Abdulla from @DecolDesign : https://t.co/eLdgoYIes5
IT'S THE SHOWDOWN YOU'VE ALL BEEN WAITING FOR — the London Boroughs Logo World Cup! Over the next week we'll be sifting the chic from the weak in a democratic battle to crown the best borough logo in London.
Lettering on buildings should aim for some sort of material and proportional sympathy but othertimes it should just kick you square up the balls (eyeballs).
This is sparked by a conversation yesterday, but do you ever stop to reflect on the weird energy 1970s British ceramics and pottery had? I mean some REALLY weird stuff was going on.