Kano!

Professional daydreamer

(DC, Marvel, DH, Valiant, Image, Bad Idea, Oni/EC/Archie)

✉️ [email protected]

[Francesca Albanese, UN Special Rapporteur oPt @FranceskAlbs]

Forza Europeans!
Only 200,000 signatures needed to push EU institutions to suspend the indecent partnership agreement with Apartheid Israel. Bcs it is not OK to make business with a State that commits intl crimes on a daily basis.
Power to the People.
Together #weR1

[Joseph Kahn @JosephKahn]

Kubrick's 2001 is considered one of the greatest movies ever made (I agree). I couldn't tell you a thing about the inner lives of the characters or their arcs.

[Kano! @graphicteller]

@Guillemmartnez https://t.co/0JEd1Enysb

[Dr Nafeez Ahmed @NafeezAhmed]

🧵EXCLUSIVE: The US invasion of Venezuela wasn't just about oil or narcotics. Silicon Valley figures connected to Trump VP JD Vance have for years plotted to exploit this scenario - to turn Venezuela into the first corporate-controlled "Network State" /1 https://t.co/T89PijICMd

[The Hollywood Reporter @THR]

Archie, Sabrina the Teenage Witch Get Modern Relaunch with Oni Press Deal (Exclusive) https://t.co/6YpO0QRCTe

[Kano! @graphicteller]

@pitiklinov Es un MUST (y una lectura maravillosa). El Umwelt es más que 'mundo sensorial', construye la realidad y la subjetividad a la medida de las necesidades evolutivas de cada especie.

[DepressedBergman @DannyDrinksWine]

David Lean explains how one can learn Filmmaking by watching movies and what constitutes a good movie:

"Interviewer: Do you believe that the same principles are involved in making a good amateur film as a good professional film?

David Lean: Absolutely the same. The only difference lies in the ambitiousness of the production, but a good film is good on any level, amateur or professional.

Interviewer: Then you believe that the amateur can learn something about film technique from watching good professional movies?

David Lean: Certainly, if he watches them in the proper way.

Interviewer: How would you advice an amateur to watch a film in order to learn from it? For example, how would you advise the amateur to watch 'Bridge on the River Kwai' (1957)?

David Lean: I would hope that he would be quite incapable of appreciating the technique of the film. I think that really good filmmaking conceals technique. If a film is really successful, the audience should be so caught up in it that they do not notice how it was made.

Interviewer: Do you think then that to really study a movie you should see it more than once, the first time for impact and to enjoy it, and the second time to learn from it?

David Lean: This sounds like a plug, but I think so. To really study a film you should have reached the point where you are no longer involved in the dramatic action. In a sense you must become bored with the story before you can study the technique. Of course as you become more and more accustomed to watching films in this manner you will automatically become more sensitive to technique on the first viewing.

Interviewer: Did you use this technique in learning?

David Lean: In my younger days, I used to spend hours in movie houses to watch the cutting.

Interviewer: From a Technical stand point what do you think is the mark of a good film?

David Lean: It tells its story in pictures. This is always the problem of good filmmaking. This is one of the biggest things that can be learned from any good movie. The amateur who wants to learn from viewing the films should try to constantly notice how the director is telling his story in terms of visuals. 'How can I show it?' is the questing the director must constantly ask himself. Of course, it is faster in shooting and much easier to tell a story in dialogue, but it is not as effective. Dialogue compared to visuals is a bore; you are using a moving picture camera."

(David Lean's interview with Charles Reynolds, 1958)

[Anadolu English @anadoluagency]

#BREAKING “They dragged little Greta (Thunberg) by her hair before our eyes, beat her, and forced her to kiss the Israeli flag. They did everything imaginable to her, as a warning to others,” says Turkish activist and Sumud Flotilla participant Ersin Celik

[Tiberius @tiberiusfiles]

We need a Global Strike for Gaza

[Massimo @Rainmaker1973]

Spanish vintage watercolor boxes

[Francesca Albanese, UN Special Rapporteur oPt @FranceskAlbs]

❗️ALERT❗️@gbsumudflotilla has been attacked 7 times in a short span! Boats hit with sound bombs, explosive flares, and sprayed with suspected chemicals. Radios jammed, calls for help blocked. Immediate international attention AND PROTECTION required!
Hands off the Flotilla!

[liam cunningham @liamcunningham1]

MAJOR ALERT. THE GLOBAL SUMUD FLOTILLA IS BEING ATTACKED BY DRONES IN INTERNATIONAL WATERS.
please spread the word!!!!

[John bach rose @johnsixx256]

La piel de gallina con estas dos chicas mezclando musica palestina con musica española en la flotilla.

[Lewis LaRosa @lewislarosa]

8 days left to back my art book! https://t.co/90HnTlnO0M 250+ pages of unexpurgated drawings on paper full robots, creatures, angry muscle, covers, sequentials, layouts, character designs, and sketches if that’s what you like! Thanks for the support everyone!

[Marcelo Córdova @marcelocordova]

Fantastic Five: Best comics of the week of August 7, 2025 https://t.co/2hvIaiI8j0 @De_Latorre @graphicteller @annienocenti @davidrubin @Mao_comics @jahnoyl @peachmomoko60

[Kano! @graphicteller]

@AlejandroGCalvo THE APAGONS

[ﾟ @macherecirce]

in another universe, the world is still turning, but it doesn’t spin so fast. the roads still wind, but they never lead nowhere. the hurt still happens, but it doesn’t make us cruel.

in another universe, life is easier.

[Kano! @graphicteller]

@antroperplejo @DeFlamarique No diría eso Rebecca Solnit!
(Clastres es un MUST en la crítica a la occidentalización del mundo)

[Kano! @graphicteller]

@Josikinz How is it that they all represent themselves in the same turquoise-blue colors?

[Kano! @graphicteller]

@AlejandroGCalvo ...con Samantha o con Joi? ;)

[Kano! @graphicteller]

@EdgarStraehle ¿De dónde es la cita?
(gracias!)