Hridaye, our creative director, made a 2-min brand film for agent one in 3 days. solo. $1,500.
Agent one is built for serious filmmakers. the more you treat it like a real crew member, the more it behaves like one. Real flow state. Real speed. If you make video for a living, this is the workflow shift of the year.
The full 27-min process in the video & the thread
Every week there's a new "character consistency" workflow going viral on X, and 99% of them don't hold when the camera actually moves.
Hridaye, our creative director, has been an AI filmmaker for 3 years and has tested literally every single one of them.
So he pulled up the two most viral character sheets making the rounds right now, tested both, and then shared the one that actually holds every single time.
Character consistency isn't just a preference when you're making AI films. Clients are sticklers about it, and if one face doesn't hold across shots, the whole project's dead.
Watch the results for yourself in the video and the thread.
I tested every viral character consistency workflow to find the one that actually holds.
Turns out the trick to character consistency isn't a prompt or a workflow - it's thinking like a casting director. The sheet that holds 100% of the time is basically an actor's audition profile: a face, four angles, build, and a box for anything specific you need to lock.
We wanted to make life easier for all our users so it's now the default in Agent One. Ask for a character sheet on any project, and this is what you get.
For businesses that do serious creative work, invideo Agents are now inside Gemini Enterprise.
Upload your script and the agent breaks it down into a full shot list with timestamps and camera direction. Paste a reference ad and it pulls the entire aesthetic — color grading, lighting, composition, depth. Cast your characters from generated options, reject what doesn't work, refine with a single line of text until it lands. Lock your locations the same way.
Once everything is set, the agent generates every shot and you stitch the final edit together in Slate — timeline, audio, pacing, all of it. One workspace, start to finish. No jumping between tools. No re-briefing at every step. No weeks of pre-production before a single frame exists.
Try Agent One on Gemini Enterprise today.
We're making a 90-min feature film.
Real actors, real sets, real crew, and AI filling in only what the budget can't cover. The one thing we don't have yet is a script. If you've written one, polished it, pitched it, and watched it go nowhere, we want to read it. If we love it, we buy it, and you're in on the whole thing. We want to build it with people who care about it, as much as we do. The whole production runs in public - every workflow, every breakthrough, every failure.
The script you stopped pitching might be the one that finally gets made. Don't let it sit in a drawer. Send it over.
A lot of you are attempting genuinely ambitious projects on invideo — films, full series, ad campaigns
For anything long-form, we'll spin up a WhatsApp group or Slack channel with our team so you're never stuck. We want these projects to actually get finished.
DM me if that's you.
Live webinar upcoming:
We're showing you the best 5 AI previz workflows - from fastest & cheapest to most accurate - and we're building a full sequence live in Agent One.
Narramatics. Sketched storyboards. Moodboards with drawn-in camera angles. We're going deep on all of it.
Useful whether you're making ads, films, series, or any video with characters in it.
Get any camera move you want, using just your phone.
Frame the shot, hit record, and move your camera exactly how you want it - a simple pan, a push-in and swirl, whatever.
Load that clip into Agent One and tell it what you want in the shot. Your recorded video drives the camera move, Agent One runs it through Seedance, and you sit back and watch.
Pro tip - match your phone frame to your first generated frame. The closer it lines up, the better it lands.
Watch the video to see exactly how we did it.
Previz is one of the most important parts of a creative workflow, whether you're making an ad, a film, a series, a micro-drama, basically any video where you don't want to bleed money on iterations just because everyone on your team was on a different page.
Earlier, previz used to mean a Marvel-sized team and budget. Now it's you, a laptop, and an afternoon.
Live webinar: 5 ways to previz with AI - from fastest & cheapest to most accurate, and exactly when to use each.
Hridaye, our creative director, made a 2-min brand film for agent one in 3 days. solo. $1,500.
Agent one is built for serious filmmakers. the more you treat it like a real crew member, the more it behaves like one. Real flow state. Real speed. If you make video for a living, this is the workflow shift of the year.
The full 27-min process in the video & the thread
Shot two. A footballer striking a ball that isn’t there.
Looks ridiculous on set. But that kick is the one part of the finished shot that has to be real. The ball, the pitch, the crowd can all be built.
That’s the craft now: knowing exactly what to shoot, and what to generate.