@mttymtt@cadars I’d say there’s less potential ambiguity with f if the style can work with a much lower crossbar than usual, but too short ascenders on d or h can get really bad really fast 💀
@Tosche_E@guidoferreyra@laurensiusadi_ What kind of stuff are you doing that’s not possible with QMK? I went the easier way with a bdn9 (just need soldering) and two rotary encoders that I can use for kerning/spacing too. Yours is very cool!
@PlauDesign@nan_xyz_@jjjlllnnn@mekkablue@glyphsapp I haven’t made the switch to g3 myself yet as I have a ton of stuff to port from g2 before I can use it in production, so yeah you’re out of luck lol but maybe soon!
@phantomfoundry@jb_morizot@connordavenpo@w__h_@roboFontEditor@blahben I like Glyphs more for the access to all production steps in one app than for the everything-in-one-window concept. I sometimes wish I could have multiple tabs side by side instead of having to switch between them!
⚠️ Dear type design community ⚠️
I'm developing a typeface for a futur park @villedebesancon I'm searching any information on this lettering stencil? If you have already seen it somewhere? Please share 💛 https://t.co/6db3jwkHma #rhodiaceta#typography#stencil#pochoir#wip