Here's the most substantive thing I've written about music in 3+ years. But it's really about how civility from organizations like @GDMPartnership (& all of us) legitimize white nationalists like @SteveKingIA (special thanks to @puckett101 & @henryrollins) https://t.co/uPegTFbPbj
Don't miss @TheMadsAreBack's FOUR YEAR ANNIVERSARY SHOW: A Night of Shorts 16 w/ very special Q&A guests Mary Jo Pehl, Bill Corbett, Kevin Murphy & @feliciaday on Tuesday!
Tickets: https://t.co/9zDvqz7D02
Listen to the story behind the worst movie ever made! Growing Up With Manos: The Hands of Fate by Jackey Neyman Jones, now available as an audiobook from @DumbIndustries!
https://t.co/5hHZZCMV2n
@WanderLustAK907@MST3K You mean the guys that hosted an event and gave other incentives for the last MST3K Kickstarter? Or Joel giving MST3K incentives for the 2022 RiffTrax Kickstarter? I think they’re made up.
If you mean having them come back to MST3K full time, I think they like doing RiffTrax.
@ForTheWin Anyway, @ForTheWin is run by @USATODAY, the parent company of the paper that hired a terrible music writer like @joelawler. Damnit! Why did I chase myself down this rabbit hole?
This Tuesday, July 11, 8pm, @TraceBeaulieu & I perform an all-new live streaming @MST3K-style @TheMadsAreBack show A NIGHT OF SHORTS XII! It's our 3-year anniversary party and you're invited! $10. Cheap! https://t.co/FcXtGT5QrX
Despite having a cool sounding (yet slightly incorrectly-spelled) name, I’d like to make clear that I am not @PressHerald reporter @joelawlorph. I am former @DMRegister reporter @joelawler