It would be self-destructive act, but I'd really love to create a bingo card of all the bottom-feeder "labels" who reach out in DMs the second a track goes viral.
@KCEsq@ih8yourtweets There are rare exceptions. Over the weekend I sent a client’s producer some mix notes. But the producer is a hero of mine and he asked for them, and the album is already great. The opposite of turd polishing. But the bottom line is it has to be great.
@pkugrse@WDVX@WMOT_RootsRadio@KPIG@houndfm I'm a huge supporter of non-comm and the more independent community, college, and triple-A stations. That's not what Andy is talking about, though.
@shooterjennings@TennesseeJet Public sentiment is so strongly anti-AI that Spotify will have to address the problem in more effective ways or lose market share to platforms that will. Suno’s launch has been so horrific that it’ll set music AI back years. A fraud/garbage factory, and Spotify enables it.
A “recorded music radius clause” is also known as an exclusive term in a recording agreement. I have no insight here in particular, but typically it lasts 6-12 months after an album’s release, assuming the contract ends with the last album.
”You're not gonna win, there's no fighting AI”
Diplo's take on AI is spot on, and he's ahead of 99% of creatives, across all disciplines
> it's inevitable, and you're dumb if you don't use it
> it's a tool, just like many other things before it
> taste and references matter A LOT
amazing interview by @DanielSWall