@mikeservito The divide I see is some ppl go out to see ppl, some go out for the ๐ถ. Both fine. No judgment, but the lifers stick around for the music (and other music ppl).
@djmarkfarina@mikeservito Played our first like 5 or 6 years on one of these except the owner of the spot put masking tape over the eq so the Peavy stacks wouldn't blow out (they already were)
@eliesco also feel like 'eclectic' has come to implies you mix in world music and 'open format' means your roots are in hip-hop but have no idea why it feels that way
โฟโโโ โถโโโโโโธโบโน
Haute To Death
September 3
Detroit's H2D collapses the space between sound and vision, for a post-studio experience that explores new frontiers in nightlife culture.
Free Entry | 21+ | ๐ฅโ ๏ธ
https://t.co/3wBaCtU4nJ
If Detroit had a proper music economy then Artists could make a living here. The folks in charge of budgets here will fly in Artists from elsewhere & pay their full rate & expenses yet ask a Detroit Artists of the same caliber to do the same gig for free & without expenses.
@pipercarter More than ever, I believe in artist owned infrastructure. Not saying gov support wouldn't slap.. but existing leadership has had the facts and a) struggles to know how to deliver b) will always be very risk averse and behind the curve and c) keep funneling $ away from artists.
@pipercarter Also, remember when Creative Many funded reports on $$$ impact of arts in MI & found it leads in several categories, esp tourism, weighing in at 18% of all tourism in the state > sport events, hiking, biking, hunting & fishing combined! What could we do with real infrastructure?
In the future, record companies are going to buy music NFTs directly from the music artist at the rate that he/she determines through their own smart contract. Not the other way around. #cryptoart#blockchain#cryptomusic