Julio Keeps

Un Amante de las bellas artes

[Studio Freight @studiofreight]

Allow us to reintroduce ourselves. New brand, new website, new initiatives.

[Sanni Ametu @AmetuSanni]

Decided to put together some campaign materials I did for Graph Finance earlier this year.

[Figs From Plums @FigsFromPlums]

Created by Duncan Brazzil

[Figs From Plums @FigsFromPlums]

Samuel Orea - We Grow Together

[Figs From Plums @FigsFromPlums]

Ines Cox

[KPOP FONTS SOURCE @kfontsrc]

FLARE U LOGO FONT

FF Folk Rough (modified)
💙 : https://t.co/789NjjPRey

#FLAREU #플레어유

[Ronald Sarabia @Rsarabiati]

ROUND 8™, the greatest atipo® foundry heavyweight typeface of all time. Download for just €20!! https://t.co/y450Nkd9FN a través de @atipostudio

[abdz. @abduzeedo]

ATF Manarola Font by Arkitype Foundry

ATF Manarola font is a bold display typeface by Arkitype Foundry, built in vintage Italian signage tradition with three styles and Mediterranean palette.

https://t.co/q525jfvhNy

[@typedepartment @typedept_store]

Honored to have worked with @studiokoto to produce Glassdoor Sans, a customised typeface for @glassdoor's new visual identity 🤝⁠

Visual Identity: @studiokoto⁠
Illustrations: @joseppuy⁠
Typeface Design: @bojjoe ⁠
Font Production: @type01_ x @typedept_store

[@typedepartment @typedept_store]

Serial Typewriter #typeface ⁠
⁠
An exploration of classic typewriters, featuring serif, sans, and compressed versions, along with textural variations that mimic the feel of pencil, ink, and pen.⁠
⁠
Ignite your next project
⁠
Free trials available
🔗 https://t.co/NzgtZn8CR2

[株式会社 竹尾 @takeopaper]

【#日本タイポグラフィ年鑑2026作品展】
◎ロゴタイプ・シンボルマーク ベストワーク
「石切」
東大阪市・石切参道商店街をPRする竹うちわのロゴ。一つの石が割れたようなフォルムで、大胆なデフォルメと文字としての可読性のバランスが特徴のデザインです。
https://t.co/f7bSSi0c5u

[BP&O @bpandopinion]

Latest: branding for CBD-based beauty brand Juana by Made Thought
Read → https://t.co/1jexnC26Xc

#branding #logo #CBD #packagingdesign #typography #juana

[Slava @slavakornilov]

Pan American Airways

[LogoDecks™ @LogoDecks]

The Japan Railways (JR) Group logo, introduced in 1987 following the privatization of Japan National Railways, was created through a collaborative design effort led by the Nippon Design Center. Yusuke Kaji served as Creative Director, guiding the overall visual identity strategy, while Yoji Yamamoto acted as Art Director and principal designer of the distinctive “JR” letterform. The project was further supported by Kazumasa Nagai, who functioned as Supervising Editor and provided senior creative oversight, and Ikuo Kenmori, who worked as Producer, coordinating the development and implementation of the identity system. Together, this team designed a bold, connected logotype intended to remain legible at high speeds and across varied applications such as trains, signage, and printed materials. The resulting design allowed each regional JR company to adopt its own color variation while maintaining a unified national symbol, helping establish one of the most recognizable transportation brands in the world.

#logodecks

[Rebrand @rebrandgallery]

Palais Visual Identity by @onlystudiouk 🎷

[The Brand Identity @TweetsByTBI]

Amsterdam and Cardiff-based design studio @Smorgasbord_ rebranded @CoaltownCoffee by resisting the urge to start over, protecting the slab serif equity the Welsh roaster spent a decade building.

Explore the full case study below ↓

[Figs From Plums @FigsFromPlums]

SANS 设计工作室

[Micah @multimicah]

Had to immortalize my memories with 3D

[Kris Darzins @krisdarzins]

I know many people still see Supply Family as mostly a mockup marketplace, but we’ve been putting a lot of work into fonts for more than a year now.

Feels like it’s finally starting to move. There are now 500+ fonts on the site and new ones are coming in almost every day.

[Figs From Plums @FigsFromPlums]

My name is studio (mynameis_studio)