#Clayface is a film that truly deserves a #DolbyCinema release in Bangalore!
With its ultra-wide 2.76:1 aspect ratio, it’s best experienced on a wide scope screen like AMB Dolby Cinema. The film’s night-time sequences and stunning Gotham cityscapes could look phenomenal with the enhanced contrast, deep blacks, and HDR highlights of a Dolby Vision DCP.
Please give us at least ONE show at Dolby Cinema Bangalore! 🙏
@JyesthNarang6@amb_cinemas@venkat_ins@DolbyIn@Dolby@DolbyCinema@WarnerBrosIndia@DenzD@ClayfaceMovieDC
I wanna talk about Nelson’s visual language
I’ve never seen a modern director intentionally choose a clinically sharp digital look - no vignettes, no film grain, or promist filters. Instead, visual character is created by set design, playing with highlights and shadows, smoke and wardrobe.
This is highly intentional because this started in Beast (2022) but carried over with the two Jailer films, under two different DoPs (@manojdft and @vijaykartikdop) who evolved this vision.
I could guess this is inspired from Breaking Bad’s HDTV 16:9 look, but whatever it is - deserves to be seen on a 4K Laser screen or LED to do full justice.
Late David Keighley had revealed that The Prestige was the first to have an IMAX 65mm shot in it. So glad it’s finally getting a release
From @RaidersLostPod