Here's a recording of my talk for UCLA's experimental critical theory series. The problem of scale in marginalized mega-cultures @UCLA_CMRS
https://t.co/qHnL8JxsJG
📚 [TMR WEEKLY]
Fatma Qandil’s “Empty Cages” (@aucpress) doesn’t flinch—it confronts the silence, shame, and longing that shape girls into women. @AhmedNajiTW dives deep into a novel where the body becomes a battleground and taboo is turned inside out.
From childhood gardens in Cairo to the bruising realities of Egyptian womanhood, Qandil’s relentless honesty and poetic craft pull empathy from the hardest places. The cages women inhabit are built of care, trauma, desire—and even after they’re emptied, they remain.
🔗 Read the full review: https://t.co/dfleyYKW7X
#TheMarkazReview #TMRweekly #FatmaQandil #AhmedNaji #EmptyCages #AUCPress #ArabicLiterature #EgyptianWomen #Taboo #FeministBooks #LiteraryExploration
Book Club 📚 'Empty Cages' by Fatma Qandil (trans. Adam Talib) explores a family’s dysfunction, revealing how addiction and betrayal shaped one woman’s life while also helping her grow stronger: https://t.co/Vjqw8HTEnn
Winner of the Naguib Mahfouz Medal, EMPTY CAGES by Fatma Qandil is a raw, lyrical reckoning with family, memory, and womanhood in post-60s Egypt
A daughter looks back to make sense of love, loss, and the ruins of home. Check out an excerpt via @AUCPress:
https://t.co/pxME3PPJcL
New ARIC Faculty Publication!
This article by Dr Adam Talib, Associate Professor of Arabic Literature at ARIC, has just been published: "Unlearning the Aesthetics of Malicious Joy," al-Usur al-Wusta vol. 32 (2024), 340-360.
https://t.co/v4gQcQFUUP
https://t.co/JcBwuzRTBR
New article alert!
"Students of premodern Arabic poetry are more likely to be taught about saliva than sexual violence, coercion, or enslavement." Adam Talib argues that the teaching & presentation of Classical Arabic poetry obscures its relation to social worlds, past & present
Just out in Cairo!! 📣📣
My new book “Al-Fahhama” {The Explanation Machine}, an introduction to social theory in Egyptian colloquial Arabic through 120 key concepts!
Available soon in all @DiwanBookstore branches and published by Diwan too
There's still a lot of antiquarianism in the field, but as this new special issue demonstrates البركة في الشباب
https://t.co/TiMHgArbu4
congratulations to Ghayde and @GunduzOzzy
UW publishes all year round, but the annual meeting of @MESA_1966 is still momentous! We publish the thematic dossier, book reviews, & more. Our 2022 issue clocked in at 661 pages of insightful work on fascinating topics! 🧵⬇️
We're excited to publish this new article by @kseigneurie. It "focuses on one non-Western writer’s response to the emptiness at the heart of liberalism, [tracing] Naguib Mahfouz’s indictment of liberalism in his 1965 novel The Beggar" https://t.co/96Zned6PEI
We're hiring a historian (open-rank) of the pre-1800 Islamic World. Our department is a center of interdisciplinary research that brings together specialists of material culture, historiography and documents, philology, and Islamic studies. https://t.co/Jpl1TcQCrt
EXTENSION: We are extending our deadline to Friday, 28 October. Please send your abstracts to [email protected] by this date, and contact us if you have any questions!
The latest offering from MEL, and the first article of 24.3:
Is the Arab nahḍah really Arabic? Very excited by Alaaeldin Mahmoud's piece!
https://t.co/ij7yp82c8y
Step inside the Old City of Jerusalem with #AdaniaShibli in her essay from #Brick104. Translated from the Arabic by @khosh_adam, you'll enter Warda's world, where
"letters of the alphabet would echo around the alleyway."
https://t.co/GbXbYbxxmp.
Issue 24.2 is a wrap. Alongside articles on the Palestinian literary sea, al-Maghout's rhetoric of sincerity and the Iranian-Jewish periodical Ha-Hayyim, we've some brilliant translations of Syrian poet Wafai Laila
https://t.co/URpKGA1UIQ
My article on Iranian Jewish poetry in the 1920s is finally out and open access in @MELiteratures! It's got Zionism, Constitutionalism, and satirical turnips - so something for everyone.
https://t.co/C4QRXkfGLo