Nico

[jeremy scahill @jeremyscahill]

For more than two months, I have been working on a truly horrific story about one of the gravest war crimes committed by the United States since Vietnam: The bombing of the Shajareh Tayyebeh school in Minab, Iran. It was one of the first targets struck in the opening hours of the war on February 28, 2026.

At least 156 people were killed in the U.S. cruise missile strikes—120 of them were children and 26 were teachers. We spoke to survivors, first responders, parents, doctors, teachers, psychologists, and other witnesses. Some of them had never before shared their experiences of that day.

It would be impossible to do justice to what happened in Minab that day with words alone. In more than 25 years in journalism and reporting on war, I do not believe I have reported on a more heinous single crime.

Massacre at Minab: The School That Became a Grave

https://t.co/6zcGDYIzCC

Please share this story with as many people as you can.

[Stefania Maurizi @SMaurizi]

Il governo #Meloni sta portando il nostro paese in una situazione di rischio senza precedenti con il suo collaborazionismo militare con #USA

NON solo contribuiamo a distruggere centinaia di migliaia di vite umane, ma è solo questione di tempo prima che pagheremo il prezzo

[Lele K @Chiappuz]

L' Associazione italiana Avvocati e Giuristi Ebrei ha intimato alla casa Editrice "Sensibili alle Foglie" il ritiro dal catalogo del libro "Nazismo e Sionismo facce della stessa medaglia" di Francesco Lazzeri. Molto chiara la loro idea di democrazia, ultimamente ben declinata

[susan abulhawa | سوزان ابو الهوى @susanabulhawa]

Bahraini artist Jamal Hashim drew this and Meta removed it.

[Francesca Albanese, UN Special Rapporteur oPt @FranceskAlbs]

Fatevi un regalo. Andate al cinema a vedere Palestina36. Un film storico di un valore senza precedenti. La prima intifada, la prima rivolta del Popolo palestinese all'oppressione, risale infatti al 1936.

[Quds News Network @QudsNen]

Israeli occupation quadcopter drones hover low between Palestinian homes in Al-Tuffah neighbourhood, east of Gaza City, terrorising Palestinians.

[Sarah Wilkinson @swilkinsonbc]

Adidas used israeli soldiers to market ‘one shoe for one leg’ knowing 1000s of Palestinian child amputees were crippled by their customers https://t.co/cDfrPDu5Oy

[susan abulhawa | سوزان ابو الهوى @susanabulhawa]

“...Consequence of Israel’s practices and policies pursued in persistent and egregious violation of the obligations of peremptory norms of general international law; and in first place, of its illegal occupation, its denial of the Palestinian people’s right to self determination, which is the source of all these evils..”

[Mondoweiss @Mondoweiss]

Adidas is facing global boycott calls after choosing a former Israeli soldier who lost his leg killing Palestinians in Gaza to be in an ad for amputees, while Israel's genocide has left tens of thousands of Palestinians in Gaza without limbs, many of them children.

Cartoon by @LatuffCartoons

[susan abulhawa | سوزان ابو الهوى @susanabulhawa]

because demons settled next next door, in your neighbor’s house.

[Deadline @DEADLINE]

Yuval Abraham and Rachel Szor’s Gaza doc 'NAZA' has landed a sensational 25-minute ovation following its world premiere screening this evening at the #VeniceFilmFestival.⁠
⁠
The 25-minute ovation sets a new record for any movie at a major festival, surpassing the near 24 minutes scored by 'The Voice Of Hind Rajab' at last year’s Venice festival and the 22 minutes scored by Guillermo Del Toro’s 'Pan’s Labyrinth.' It’s comfortably the longest ovation at this year’s Venice.⁠

The film’s synopsis reads: “Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza”.

Read more details here: https://t.co/Szu9nKmvQT

(Photo: Getty)

[Mauricio Lapchik @MauricioLapchik]

הדוקו החדש של יובל אברהם ורחל שור, שחושף בפירוט את המערכות שמאחורי ההרג ההמוני והמחושב של פלסטינים בעזה בידי ישראל במהלך הג׳נוסייד, זכה למחיאות כפיים שנמשכו 25 דקות (!) בפסטיבל ונציה.

היסטורי.

[Stefano Barazzetta @stebaraz]

Questo è il giornale di riferimento dei Riformistih del @pdnetwork.

"L'obiettivo è infangare Netanyahu".

Infangare Netanyahu.

[Carolina Meloni @CarolinaMeloni1]

Se viene esta maravilla 👇🏾

[Muhammad Smiry 🇵🇸 @MuhammadSmiry]

Tomorrow is a funeral to 100 Palestinians in Gaza, including 70 children.

Read this again.

[Democracy Now! en español @DemocracyNowEs]

La agencia meteorológica y climática de la ONU está pidiendo una respuesta global urgente a una ola de calor oceánico sin precedentes que está provocando condiciones climáticas extremas en muchas partes del mundo. La Organización Meteorológica Mundial informó el jueves que es probable que las “dimensiones gigantescas” que está cobrando el fenómeno climático conocido como El Niño persistan al menos hasta el próximo mes de febrero. El mes pasado, el Programa Mundial de Alimentos advirtió que unas 50 millones de personas más en comunidades altamente vulnerables de todo el mundo se verán expuestas a la hambruna debido al fortalecimiento de El Niño.

[El Tablero | Canal Red @ElTablero_TV]

"Hoy reivindico a las feministas incómodas cuyos epitafios no leeremos"

El cierre de @menoscanas en El Tablero, sobre Gloria Steinem y el feminismo rebelde 👇🏾

📺 https://t.co/As6VPV1bLp

[Jacobin @jacobin]

It’s a shame that the women’s liberation movement was, for 50 years, personified by Gloria Steinem — someone who never really shared that movement’s emancipatory goals: https://t.co/Ajc2aJtwxk

[CRITICAL THEORY @roryontour]

Gloria Steinem’s brand of corporate feminism was always a perfect fit for the Western imperialist project. Bourgeois identity politics that neatly commodified women’s liberation while systematically erasing the only thing that matters to poor women around the globe.

Her CIA ties should be the headline of every obituary because they were the logical extension of a worldview that saw the Global South as a testing ground for social engineering and real blue collar women on the picket line as an embarrassment to her elite friends on the cocktail-party scene.

By reducing patriarchy to a problem of individual advancement and media representation, she provided ideological cover for neoliberal capitalism’s assault on the working class. Her work cheered women into boardrooms, Amazon warehouses, global South sweat shops alike, as long as the real engine of history, the collective power of labour, remained broken the gravy train for the billionaire class could roll on. In death, as in life, her legacy is not sisterhood, but a stern, well-manicured finger wagging in the mirror back at herself for betraying poor working Women across the globe.