Senior Product Designer crafting AI-Driven Products & Agentic Systems | A decade shaping complex ecosystems | Service Design | Currently at Inditex (Redbility)
Five intelligence agencies (US, UK, Canada, Australia, NZ) issued a joint statement saying frontier AI will transform offensive cyber in months, not years. When the Five Eyes agree on something, pay attention... 🤔
Claude Sonnet 5 just dropped as the default for every Free and Pro user. Near Opus performance, 1M context, adaptive thinking. The "good enough" tier just got a serious upgrade. What's left to justify paying for the flagship?
Figma's AI agent isn't a chatbot bolted to the side, it's embedded in the canvas, edits individual elements, and opens PRs. The "AI beside the designer" era is over. The tool is the designer now 🤔
Introducing Claude Fable 5: a Mythos-class model that we’ve made safe for general use.
Its capabilities exceed those of any model we’ve ever made generally available.
A harness is the first computational primitive with all three:
→ Agency (it initiates)
→ Embodiment (it acts on the world)
→ Persistence (it carries state)
An LLM call has none of them. That's why orchestration changes.
Automatizar el trabajo repetitivo con IA (escalar sistemas de diseño, generar variaciones de componentes o redactar specs) no destruye valor, lo transforma.
Nos devuelve el tiempo para lo que realmente importa: la estrategia, el shaping del producto y la empatía. #FutureOfWork
Integrar IA en un producto solo por moda es el nuevo "añadirle blockchain".
Si el modelo no reduce la fricción cognitiva o no aporta un atajo de valor claro en el user journey, es ruido, no innovación. El buen diseño de IA a menudo es invisible. 🧠🤖 #UX#AIdesign#IA
Diseñar para sistemas multi-agente exige llevar la heurística de "visibilidad del estado del sistema" al límite. El usuario necesita entender qué está haciendo la IA por detrás, cómo cooperan los agentes y por qué toman decisiones. Diseñar confianza. 🤖
Para los diseñadores de producto, el reto ya no es la UI del chatbot; es diseñar los flujos de control y los "cuellos de botella" donde el humano debe validar las decisiones del agente.
Su enfoque con Claude Opus 4.7 no es darte una interfaz bonita, es la arquitectura de túneles MCP. Permite a los agentes interactuar con bases de datos internas seguras sin tocar la internet pública.
El diseño UX en 2026 ya no va de crear flujos rígidos o "user journeys" lineales. Con la IA, pasamos del diseño visual al "Diseño por Intención". El producto no espera a que hagas clic; interpreta el contexto y adapta la interfaz en tiempo real. Adiós a las pantallas estáticas.
🧠 En 2026, el 71% del abandono de productos con IA se debe a fallos de UX, no del modelo (vía YUJ). El reto del Product Designer hoy no es hacer la interfaz “bonita”, es diseñar la "incertidumbre" y la tolerancia al fallo del sistema. La lógica de negocio está ahí.
CEO of Nvidia: "I will always hire the graduate who's expert in AI over the one who isn't"
he goes further than that
"every college student should graduate as an expert in AI"
because if your job is just a task, you're highly going to be disrupted
the people who learn how to actually work with AI are the ones who stay ahead
and he's not talking about people who occasionally ask Claude a question
he means people who actually know how the stack works
that's why I put together a guide on everything Claude can do that most people have no idea exists
read it and you'll already know more than 99% of people using Claude every day
full guide in the article below
Custom brand tools feel like the most compelling slice of AI right now
Working on a technical logo for a client, got tired of endlessly resizing a bunch of lil' rectangles. So I built a tool to play with variations
and animate it, of course