@mjsimpsonfilms@ChrisChapman81 It's easier/timelier to undo than to make. They likely applied the disheveled makeup FX (cuts, bruising, dirt, etc) and end-of-movie outfits to shoot the exit first, then rushed the actors to Makeup to clean them up and redress them to shoot the landing.
@mjsimpsonfilms@ChrisChapman81 Certainly a same day setup. They all have one outfit on the island. A wardrobe department will make multiple versions of that outfit in various stages of clean through dirty, so they can keep continuity during the shoot when it's shot out of order. Same with makeup effects.
@tvaziri I’m saying this as calmly & carefully as possible: the “go woke, go broke” angle didn’t work, so now they’re astroturfing the “this is a classist elitism” movement to try and tank the second week box office.
@SethAbramson These look like AI images.
Drill Sargeant’s teeth and left eye.
Background faces.
Garbled text and banner. What even is that attempt at making four bodies?
Ideas of hoses and nozzles.
@mikethree@MJTruthUltra The entire shape of his head changes. The collar and tie shift as well. The looks like the Adobe Premiere Morph Cut effect where video is cut/spliced together to appear seamless.
@BurritoGlasses Fun theory: they shot for a year but the doc said they shot for 200-some days. The difference is how long it took them to shoot the doc.
@BurritoGlasses Look, I am definitely on the bus, but you have a sincere lack of understanding here if you think Lorne Michaels is going to let Netflix takeover this week's show the way you're suggesting here. Just not how it's done at all.
@JackKennedy Completely agree. Inoffensive filmmaker who produces hits economically. Handles large talent and heavy VFX competently.
The Venn diagram of the RuinJohnson/anti-TLJ crowd and Shawn Levy haters is a complete circle, and they have no idea this is a direct result of their tantrums.