This is such a novel concept
I struggled to make motion graphics with tools like remotion and hyperframes simply because I lacked the vocab
Fed this to Claude and got back things I would need to spend hours tweaking before
To get good animations from an AI you need to get good at telling it what you want:
- "stagger this list of items"
- "make this animation direction-aware"
- "spacial consistency", "crossfade", "layout animation",
I made a motion vocabulary for this:
https://t.co/ExAxpr31no
$500,000. 15 days. The first AI feature film exists.
Just watched "Hell Grind" by @higgsfield_ai at @aionthelot.
Honest thoughts after the screening:
1. The tech is here. AI is now invisible to the human eye in feature-length production. The visual barrier has fallen.
2. AI actors aren't there yet. Some performances feel real, but it's still hard to feel empathy for an AI character.
3. Storytelling is the bottleneck. The story and dialogue need tightening, this is the most critical missing piece.
4. 15 days is too aggressive. The feat deserves applause, but 2-3 months is a more realistic timeline for a polished 90-minute film.
5. The economics are still unproven. $500K production cost, but the real question is what the market will pay. That's a script and audience problem, not an AI problem.
Overall: AI feature filmmaking is now accessible to small teams and mini studios. That's the real shift.
AI makes it possible for ordinary people to realise their vision. Logically, the only people who would want to prevent that are a) people who don’t like ordinary people or b) people who don’t have any vision.
Excited to share our most powerful new Claude Code feature: dynamic workflows!
Mention "workflow" in a prompt and Claude will dynamically create an orchestration plan that it strictly follows, allowing you to confidently trust that every stage happens in the right order even across 100s of agents.