Apex Body for all Associations and Federations in the Arts, Culture and Creative Industry of Uganda🇺🇬. Advocacy | Research | Dialogue
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#TakeHome
The meeting reviewed progress on key programmes and projects, assessed implementation challenges, and underscored the importance of coordination, accountability, and timely service delivery in fulfilling the Ministry’s mandate.
#Progress 👍
Today, I held a meeting with @Mglsd_UG State Ministers, Heads of Departments, Projects, and Divisions at the Ministry Headquarters.
The meeting reviewed progress on key programmes and projects, assessed implementation challenges, and underscored the importance of coordination, accountability, and timely service delivery in fulfilling the Ministry’s mandate.
I commended the staff for their continued dedication and urged all departments to remain focused on delivering the Ministry’s strategic objectives for the benefit of the people of Uganda.
We support innovation that improves usage tracking, royalty collection, and fair distribution to rights holders.
However, we reject the unilateral suspension of the CMO mandate. Such actions undermine transparency, accountability, and the rights of creators.
Earlier this week, @unmfederationug rolled out the Copyright Management System (CMS) & perhaps the greatest concern raised is the possibility that both the CMS & existing royalty structures could operate simultaneously.
In such a scenario, broadcasters, bars & other entertainment venues could find themselves dealing with multiple compliance systems.
Artists could receive royalty statements generated using different methodologies. Collection costs could increase as resources are spread across overlapping administrative structures. Rather than creating clarity, some fear the result could be duplication.
The real question is whether the newly launched CMS will be solving the right problem?
Hello @UgandaMusicians | @URSBHQ | @unmfederationug | @NCFUganda | @UNCC_UG | @UPRSOFFICE | @eddykenzoficial@ekongot etc…
Can we have this conversation ?
How the creative sector featured in Uganda’s FY2026/27 budget
The announcement signals a growing recognition of the creative economy not merely as a cultural sector, but as an enterprise-driven industry capable of generating jobs and incomes https://t.co/8qAJOD5dhw #SqoopUpdates
We met with the leadership of the Dancers Network Federation (DNF) & their SACCO. We congratulated them on federating. We encouraged them to mobilize all dance associations & to apply for capital under Creative Uganda Revolving Fund (CURF) to support their members’ enterprises.
A warm welcome to the new Ministerial Leadership Team as they officially assume office and take up the responsibility of steering the Ministry’s agenda.
"This is the Ministry of Inclusion. Those that will be serving with us, you have the obligation to the people to include them", remarks of incoming Minister MGLSD, Lt. Gen. Henry Tumukunde Kakurugu, as he officially assumed office from Hon. Betty Amongi Ogom.
A new chapter begins, celebrating the outgoing Ministers and their achievements, while warmly welcoming the new Ministers to continue advancing the Ministry’s development agenda.
Following today's handover ceremony, I have officially assumed office as Minister @Mglsd_UG. I am grateful for the confidence entrusted in me and look forward to serving with a steadfast focus on delivering for the people of Uganda.
The Ministry of @Mglsd_UG will be guided by the principles of inclusion, accountability, and service to all Ugandans.
I extend my sincere appreciation to my predecessor, Hon. Betty Amongi, for her service and contribution to the Ministry. I also look forward to working closely with my new colleagues and stakeholders as we advance our shared goals for the benefit of our people and country.
Govt allocates Shs1.140t to science and creative industries
Minister Musasizi tabled a total budget of Shs84.3 trillion
https://t.co/IZZggYHOJJ
#MonitorUpdates
.@GovUganda has allocated an additional UGX 2.49 trillion in wealth‑creation programmes to accelerate monetisation of the economy and expand wealth creation.
These programmes include;
✔️ Parish Development Model
✔️ Emyooga
✔️ Katale Loan Facility
✔️ Small Business Fund
✔️ Agricultural Credit Facility
✔️ Large-Scale Commercial Farmers Financing Scheme
✔️ Uganda Development Bank
✔️ GROW and other women funds
✔️ Youth Empowerment Programmes
✔️ Revolving fund for the creative artists
✔️ Support to Teachers’ SACCOs #KnowYourBudget26 #OpenGovUg
The industry has lost one of its founding soldiers. He laid a brick on this music industry.
His fearless advocacy under
UMA to align and organize the industry shall be remembered. As we say goodbye, we honor his legacy by continuing the work.
Rest in Power, Master Parrot
We thank H.E. @KagutaMuseveni for the recent Cabinet appointments. Congs:
Lt Gen @Tumukunde_ on your appointment as Minister of Gender, Labor & Social Devt
Hon @HonAkamuli as Minister of State for Culture. We look forward to working closely with you to advance Creative Sector.
“Without enforcement, you cannot have value for intellectual property.”
One of the major concerns raised during the Kampala Protocol discussion was how creatives would truly benefit from regional copyright protection.
Responding to the concerns on enforcement and protection of works, Kenneth Rutaremwa explained:
“The protocol is giving creatives another level of protection beyond national borders.”
He added that the regional framework is intended to strengthen recognition, licensing, dispute resolution, and enforcement of creative works across member states.
“Once you register your work, you create a concrete record of ownership and unlock opportunities to commercialise and protect your creativity.” - Ms @SMuheki, Assistant Commissioner for Copyright and Neighbouring Rights.
She also emphasised the need for continuous engagement with creatives and industry players throughout the ratification and implementation process.of Copyright and Related Rights, she addressed stakeholder concerns on the representation of the film industry within the Protocol framework, reaffirming that audiovisual works and films remain protected under copyright law.
She also emphasised the need for continuous engagement with creatives and industry players throughout the ratification and implementation process.