@jasoncrawford My father is a screenwriter. We were watching a 22-episode season of television together years ago and I asked him what it would cost to make it today. I will never forget his answer… "We can’t, we don’t know how to do it."
@TeamYouTube Problem is only on the Shield device. Rebooted and reinstalled apps, no change. Youtube and Youtube TV specifically have no audio. Hulu, Prime, Netflix, Disney, etc have no issue on same device.
@ScottWamplerBMD *long, extended sigh*
*slowly, forcefully presses Like button, continuing through the screen and puncturing the battery so I die in flames like a tesla on the side of the highway*
@IrkedModerate @kayceaburns@BrynnTannehill State level Republican candidates in races all over the country are aggressively questioning these precedents all the way down. We're at THIS crossroads with Roe now due to coordinated multi-statehouse GOP action to pass laws teeing up reversals.
https://t.co/Go6qxozyuO
@sallepierrelamy Documented in the Making Of, but like the Raimi thing it was never more than a wild idea. What they both share is directors conveying the sorts of physics and visual language they want with these ideas, which gets turned into something do-able by brilliant film tech teams
@sallepierrelamy For The Matrix, directors first pitched achieving Bullet Time by putting a rocket on a camera dolly to move it around the action rather than using an array of fixed cameras like they did ultimately.
@cpimentel986@HeerJeet Trent Reznor’s Ghosts, which has contextualized the archival horror of the Vietnam War (Ken Burns’ doc series) and now full circle it’s appearing in contemporary, real time war video. Hard to process.
@mattyglesias The difference is entirely Feige / central planning — Marvel forming as a distinct studio and DC being a part of WB’s roster of IP bundles. Costumes ain’t it.