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The online magazine for critical conversation about the expanding art world. Our physical anthology of historic texts is available from @VetroEditions 📓

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@KBStudioNYC @nodefnd @larvalabs @beeple @JebbL 🧠💖

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NODE | A PHYSICAL SPACE FOR A DIGITAL WORLD

The Silicon Valley institution’s (@nodefnd) founders share what they have learnt from its opening shows with Larva Labs (@larvalabs) and Beeple (@beeple)

By Louis Jebb (@JebbL)

https://t.co/VqlzQx3wQz

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@KBStudioNYC @nodefnd @larvalabs @beeple @JebbL 🙏❤️

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🥹🥹🥹

[El Barba Roja blue check @redbeardnft]

@RtClick_Save @nodefnd @larvalabs @beeple @JebbL RCS is quickly becoming our cultural beacon for all things digital art

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@FrederikDeFruyt @travess @AlexEstorick @motiondesign_01 @mattdesl @refikanadol Love to see it! ❤️📚

[Frederik De Fruyt @FrederikDeFruyt]

Book arrived today together with 05_16_26_Pixel_Rug_01_THANK_YOU from @travess

Also received, @RtClick_Save by @AlexEstorick, Hyper & Cosmic by @motiondesign_01 , Tracing the Line, Neo Botanica, Meridian by @mattdesl and BRUSK by @refikanadol Signed in Brugge after the Keynote

[Moaak 🦍 🦇🔊 @08x44]

Bridging the digital and physical worlds is so crucial

Big things happening at @nodefnd @beeple

[ArtMeta @artmetaofficial]

Nancy Burson: "I'm best known as the inventor of facial morphing... I had this idea to create a machine that would age viewers... it was very new technology; no one had really done it before in the 20th century."

Digital Masterpieces: From Code to Canon, debuting at Art Basel from June 16 – 21, 2026. Booth Z9 | Zero 10.

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@epoch_gallery @Rrose_Selavy_11 @conniebakshi @bodyfullofeyes 💖💖💖

[EPOCH @epoch_gallery]

Thank you @Rrose_Selavy_11 and @RtClick_Save for the kind words in your newsletter.

Read the interview between @conniebakshi and @bodyfullofeyes here: https://t.co/bkzfUDH6II

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Mentions include: @matthall2000 @pents90 @cryptopunks @yugalabs @kimasendorf @mickymalka @RibbitCapital #BeckyKleiner @philmohun @hollyherndon @refikanadol

[Art on Tezos @artontezos_]

Day 1 at NFC Lisbon 🇵🇹

On view today a collector selection curated by @100collectors members.

10 collectors, 10 artworks, offering a glimpse into the diverse tastes and perspectives shaping contemporary digital art collecting.

feat.:
@kikanicolela + @Rabbunnitt
@kompakd + @tunay_bora
@flakoubay + @pointline_
@johnkarp + @jjjjjjjjjjohn
@DianeDrubay + @violarama_
@judithESSS + @ilan_katin
@zaphodok + @jamesbloom_ & Gottfried Jäger
@DagieDee + @no_hygiene
@Rrose_Selavy_11 + @osinachiart
@MathiasThiel + @ayenwhyay

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Congrats @gretchenandrew! 🥂

[Arab Bank Switzerland @arabbankCH]

Gretchen Andrew (@gretchenandrew) is the winner of the ABS Digital Art Prize 2026 with the work Facetune Portraits: Universal Beauty Vietnam.

Congratulations!

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https://t.co/AVCKTuUkPv

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"Physical spaces still remain essential because they create legitimacy, curation, and trust...the digital art ecosystem still lacks stable infrastructures comparable to those surrounding traditional art...nowhere is that fragility more visible than in NFT storage."

- @edouard

[Eleonora Brizi 刘诺 @eleonorabrizi]

I loved having this interview with @edouard for our new collaboration at @100collectors with @RtClick_Save !

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@eleonorabrizi @edouard @100collectors Love this conversation! ❤️❤️❤️

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@100collectors @RightClickSave Thrilled to partner with you on this series @100collectors! 💖💖💖

[100 collectors @100collectors]

Thrilled to launch On Collecting by 100 Collectors, our new recurring editorial series in partnership with @rightclicksave !

Every two months, we’ll bring collector perspectives to the forefront through interviews, essays, and conversations exploring the realities of collecting digital art today, from preservation and stewardship to discovery, legacy, and beyond.

We begin with 100 Collectors member EDOUARD @edouard , reflecting on NFT preservation and the challenges of long-term stewardship.

Looking forward to sharing more collector voices and stories in the months ahead.

https://t.co/Qj7WfRJTOF

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"With physical art, there is already a culture of stewardship: collectors insure works, document provenance, track restoration histories & preserve context. Digital art still lacks most of that culture..."

- @edouard in conversation with @eleonorabrizi

https://t.co/AVCKTuUSF3