BREAKING NEWS FOR MAI! We are hugely proud to announce that we have joined the wonderful folks at @punctum_books and will soon be launching MAI: Feminism and Culture (An Imprint of Punctum Books)
Coming soon, Issue 3: @elfynjones' opera with integrated sound design "The Trilobite, Or The Fall Of Mr Williams" forms the final part of a triptych of operas which constitute a PhD project integrating diegetic and meta-diegetic sound into opera composition.
A new trailer for Leos Carax's ANNETTE, starring Adam Driver and Marion Cotillard and arriving in US theaters August 6, following its premiere at next month's #Cannes2021.
🎥 Ready for lift-off with #Gagarine? In their first feature film, Fanny Liatard and Jérémy Trouilh offer an original and poetic perspective on a suburb that is all too often stigmatised. Tomorrow in cinemas. #Cannes2020#BackToCinema
► https://t.co/BcuXC9ZKHo
CURATING ARTS AND CULTURE IN A DIGITAL AGE: AFRICAN SCREEN WORLDS BEHIND-THE-SCENES
24.06.21
17.00-19.00
As part of a new online course at SOAS, the team will explain how they are using digital filmmaking techniques to showcase filmmaking in Africa.
https://t.co/5imGHfcl3v
Some personal news: really excited to announce that I'll be joining @ucl in Sept as Lecturer in Film, Culture and Society in @UCL_IAS Sad to be leaving great colleagues at @UoYEnglish but also looking forward to being part of a fantastic research/teaching culture at @ArtsHumsUCL
The SW project’s @lindiwedovey and @KateETaylorJ have co-edited this special collection with @OpenScreens exploring the filmic flows that unite Asia and Africa!
The collection’s co-authored articles emerged from a workshop at @SOAS titled ‘The Asian-African Film Connection’ 🎬
'For a Free Palestine: Films by Palestinian Women' is now LIVE, free worldwide in English & Arabic. Donations go to causes facilitating medical, legal, & infrastructure aid on the ground. Work by 15+ women filmmakers! For a month; films added throughout 🇵🇸
https://t.co/GEl9FON2Bq
New @FCAT_CineAfrica Masterclass!
In ‘Crossing the Ocean,’ @eloisalopez will analyse cases of African films released in Latin America + the different opportunities offered by commercial and non-commercial distribution channels.
5-6.30pm, 03.06.21
https://t.co/yBYi2iPy1R
Free films for a Free Palestine - an incredible example of curatorial activism in action from @anothergaze https://t.co/ZLEYar2JOb (available until 18 June)
Our Issue Three Call and Response is now open! Many thanks to @JenniferWalshe for this thought-provoking prompt.🖊️💬
Submissions are open until 25th June. Responses can be in any format: essays, videos, poems, images or audio.
We're excited to see your responses soon! 🎉🎉
Last call for proposals for our free archive-inspired filmmaking workshops with @Birkbeck_BIMI this summer. Create new work responding to archive films from @BBCArchive@BFI@NIScreen@IFI_Dub with mentoring from experienced filmmakers & screen your film at Birkbeck in September!
I am very happy to be one of the invited contributors to the practice research plenary at this year’s Film-Philosophy / @filmphiljournal conference (7-9 July) alongside Azadeh Emadi and Mila Zuo. Registration details here: https://t.co/95D7gzP1l2
"2020 saw the lowest number of working class origin people working in key screen occupations since
ONS started collecting this data in 2014". Important work by @DrDaveOBrien & @CreativePEC colleagues on the continued class discrimination in the UK film, TV and screen sectors 👇🏾
Very excited to work with @Birkbeck_BIMI to launch a free archive-inspired filmmaking workshop for 12 participants this summer. Create new work responding to archive films from @BBCArchive@BFI@NIScreen@IFI_Dub with mentoring from experienced filmmakers & screen it in September
Issue 8.1 of [in]TRANSITION: Journal of Videographic Film and Moving Image Studies/@inTransitionCMS, edited by @KevinLFerguson, is now live! https://t.co/e7r6EHp9JQ