Shared Institute

Research centre focusing on design, pedagogy and publishing, with a commitment to public discourse

[Modes of Criticism @modescriticism]

Debates on the implications of AI on design have softened over time, pushing the idea of an inevitable complement to—not a replacement of—the designer. ‘Graphic Design (education) After AI’, is a 2-part essay on the futures of graphic design. https://t.co/TD5hlOvRH2

[Modes of Criticism @modescriticism]

We are now in 2029, and design cannot change: it needs to be completely reconfigured from the past, from history.
—
A 2-part essay on the futures of graphic design (education) after AI.
https://t.co/ITH39QxlN3

[Shared Institute @sharedinstitute]

Article on the graphic design history of @TNSJ with a wider critique of design for culture, written, photographed and designed by us. (Book available only in Portuguese.)

[AIGA Eye on Design @AIGAeyeondesign]

When the city of Porto disinvested in culture after the financial crisis of the late 2000s, it was the @TNSJ that kept it alive. Read here for a deeper look at the theater's historical impact. > https://t.co/4c5pi0CPH5

[Shared Institute @sharedinstitute]

Based on the book 'Teatro Visual' (in Portuguese) on the graphic history of @TNSJ, an article in English is now published on @AIGAeyeondesign, offering a journey through design history and opening up debate about design for and as culture. https://t.co/64E35if5Ly

[AIGA Eye on Design @AIGAeyeondesign]

Posters from the 200+ year old São João National Theater in Porto offer a lesson in design as a public service. https://t.co/4c5pi0CPH5

[Modes of Criticism @modescriticism]

'The Autonomy of Experimentation', new essay on the graphic design culture of the São João National Theatre in Porto, and the journeys and debates that this historic theatre makes possible—published on @AIGAeyeondesign (based on the book in Portuguese): https://t.co/VINM8cHZZV

[Modes of Criticism @modescriticism]

New book published on the graphic design culture of @TNSJ and an institutional critique of design for culture via this diverse theatre in Porto, and its historic archive. Full ebook now available in Portuguese. Article in English soon at @AIGAeyeondesign. https://t.co/vA8cSjp8i3

[speculativeedu @speculativeedu]

'Speculative design is dead. It has been used and abused, rebranded and exploited, mystified and glorified beyond repair.'
Francisco Laranjo, editor of the design criticism journal @modescriticism, reflects on Speculative Design practice. Find out more:
https://t.co/mkwPvvDORH

[Modes of Criticism @modescriticism]

'Graphic Design Systems, and the Systems of Graphic Design'—originally published in Modes of Criticism 5. Full text. https://t.co/DHW3DMgvCN

[Ruben Pater ([email protected]) @unlisted_roots]

Happy with the new Modes of Criticism, which features a chapter from my upcoming book CAPS LOCK about graphic and capitalism, scheduled to be published with Valiz publishers in 2020

[Modes of Criticism @modescriticism]

'Modes of Criticism 5 – Design Systems': an overview. https://t.co/aXgLNE8WWC

[Modes of Criticism @modescriticism]

The 5 volumes published so far. Thanks to @onomatopeenet for publishing the last 3 volumes and continuing to support the work and research developed together with so many brilliant people in different parts of the world. https://t.co/GCXiPKGi0r

[Modes of Criticism @modescriticism]

'Modes of Criticism 5 – Design Systems', with contributions by @unlisted_roots, @shannonmattern, @ilynam, @bravenewalps, @gsvoss and the work of @luizaprado, @pedroliveira_, @acedinstitute, Ruben Pater and @dmstfctn for the Porto Design Biennale. Out now: https://t.co/8oZnInru6V

[Modes of Criticism @modescriticism]

500 pages of Modes of Criticism. Thank you to all contributors and their generosity, to the publisher @onomatopeenet and all the readers for all these years of support. The 5th volume is available next week. https://t.co/KE9MSAEVuH

[Modes of Criticism @modescriticism]

'Modes of Criticism 5 – Design Systems', w/ contributions by @unlisted_roots, @shannonmattern, @ilynam, @bravenewalps, @gsvoss & the work of @luizaprado, @pedroliveira_, @acedinstitute, Ruben Pater and @dmstfctn for the Porto Design Biennale. Pre-order: https://t.co/fnWGmLYNPm

[Modes of Criticism @modescriticism]

'Modes of Criticism 4 – Radical Pedagogy' investigates the use of the word ‘radical’ in design education and discourse. With contributions by Danah Abdulla, Anne-Marie Willis, Tanveer Ahmed, @krfg, @AnjaGroten and @hnnhlls. Out now via @onomatopeenet! https://t.co/8m6iLlYlbf

[Shared Institute @sharedinstitute]

The newest volume of @modescriticism, titled 'Radical Pedagogy' and published by @onomatopeenet, is now out. With contributions by Danah Abdulla, Anne-Marie Willis, Tanveer Ahmed, @krfg, @Depatriarchise, @AnjaGroten and @hnnhlls. Shipping worldwide. https://t.co/nGp4WbOCs3

[Shared Institute @sharedinstitute]

Join @illustrationsc and @thisismold for a Food Lab from the 18–20 December 2019 investigating how to future-proof Portuguese Christmas, and exploring (political) issues of local heritage, tradition and climate crisis, with all its implications: https://t.co/4QeCxKqPeB

[dmstfctn @dmstfctn]

A public screening of our film INTERFACE CHAOS is taking place tomorrow as part of the Porto Design Biennale, followed by a conversation with @modescriticism

5PM at metro station Campo 24 de Agosto, Porto

[Shared Institute @sharedinstitute]

We look forward to writing (and designing a book) about the 100 years of (visual) history of the National Theatre of São João in Porto, connecting it to it’s many influences. It’s a pleasure to go through the archives in the Monastery of São Bento da Vitória.