Marc Saint-Cyr

Just a paper-crunching pseudo-insect working on his slice of universal memory...

[Marc Saint-Cyr @still_writing]

A Taiwanese-Malaysian co-production, THE AGE OF GOODBYES will be screening next as the opening night film for the Taipei Golden Horse Film Festival (https://t.co/Aqkz5y2Amf) on November 6th!

[Marc Saint-Cyr @still_writing]

I was lucky enough to catch THE AGE OF GOODBYES, the new feature film from Edmund Yeo (@greatswifty), at #TIFF26. A rich cinematic journey through time and memory in the Malaysian city of Ipoh...read all about it here! --> https://t.co/NlPDucdxHR

[DepressedBergman @DannyDrinksWine]

Agnès Varda visits Dephine Seyrig & Alain Resnais on the set of 'Last Year at Marienbad', 1961.

[NEON @neonrated]

Bunsen Baker protecting 35mm prints of @AnoraFilm. 💪

[Conor Williams @sadfilmcritic]

RIP Dick Pope, the gifted cinematographic artist whose work I’ll always cherish in the great films of Mike Leigh.

[Letterboxd @letterboxd]

First look at the new poster for Hong Sang-soo's A Traveler's Needs.

The third collaboration between Hong Sang-soo and Isabelle Huppert, the film will open in New York on November 22, 2024.

Poster design by Brian Hung

[david ehrlich @davidehrlich]

Anora: Sean Baker's latest study of American sex workers is a hilariously heartbreaking '70s-coded comedy that starts on a ketamine high before steering into Uncut Gems territory. Mikey Madison's performance is legend. a great film.

my #cannes review: https://t.co/dMoDuUPRxZ

[Adam Nayman @brofromanother]

Kudos to @HertzBarry for asking David Cronenberg the important questions about representing local dairy products

[MDFF @MDFF]

Matt and Mara directed by @redvineski has won the main competition at @lpafilmfestival. Previous winners include Sean Baker, Jia Zhangke and Asghar Farhadi. Part of the prize includes support of theatrical distribution in Spain.

[Literary Hub @lithub]

“I think one of the features of nonfiction today is that, to a degree, a book could be written by anyone possessed of a certain level of knowledge.” George Makari interviews Geoff Dyer.
https://t.co/MBwi3bixDI

[Nostos @NostosLit]

Pierrot le Fou (1965) / Jean-Luc Godard

[Dylan Cheung @Futurhythm]

Christopher Doyle got hitched in Australia yesterday (to Chinese director Hei Wen), meaning there's hope yet for all you lonely pasty drunks out there.

[Criterion Channel @criterionchannl]

JE T'AIME, JE T'AIME (1967) x ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004) • A closer look at Michel Gondry and Alain Resnais's time-collapsing romances—both now playing in our Interdimensional Romance collection! 💖🧵

[Criterion Collection @Criterion]

✨❤️‍🔥 AFIRE (2023)—acclaimed writer-director Christian Petzold’s latest smoldering masterpiece—enters the collection this month! https://t.co/7PJyfiTqFO

Our new Janus Contemporaries edition features a great new conversation with Petzold and more! ✨❤️‍🔥

@janusfilms

[Tom Skinner @TomSkinner__]

Damo Suzuki
🙌🏻❤️🔥🙏🏻✨💫
Grateful that I got to share the stage with him a few years back. An unforgettable experience. What an incredible human being. RIP

[Notebook @mubinotebook]

"Music’s function in these films is intimately tied to [Aki] Kaurismäki’s class politics. The playing of an instrument is often presented as offering a moment of repose for working men, like a fleeting glimpse of liberty..." | @monsterbobby: https://t.co/Q5YZXrnA4v

[Adam Nayman @brofromanother]

The final ⁦@CinemaScopeMag⁩ is online and every article is clickable. Nothing special about this one, just a regular issue like the other 96, which is also to say that it’s sort of extraordinary. https://t.co/MEiyssjeNl

[The Daily @CriterionDaily]

New! @CinemaScopeMag, the final issue: Ryusuke Hamaguchi on EVIL DOES NOT EXIST, Rodrigo Moreno on THE DELINQUENTS, Alex Ross Perry on VIDEOHEAVEN and PAVEMENTS, Thom Andersen on Los Angeles … https://t.co/euJB0enc1c