su3

フリーの3DCGアニメーター、元SE
3dsmax/AE/Maya/MotionBuilder/UnrealEngine
Apex/写真

#3DCG #3dsmax #aftereffects #Zbrush #Maya #Vray #Apex #UnrealEngine

[スチまと / STEAMおすすめゲーム新作など紹介🎮 Steam @stmatomato]

でっかいネコチャンの背中に乗れる。
もう小難しい設定とかどうでもいいわ。

開発陣がガチの猫飼いらしく、毛並みからボディランゲージまでこだわり抜いたフェティシズムの塊。レーザーポインターで誘導したり一緒に戦ったりできるのもアツい。海外の限界猫好きニキが「猫に何かあったら、責任者を見つけてやる」と待機してるの笑う。
とりあえず、猫が無敵仕様であることを祈る。
『Ylem's Cat』

[su3 @su3free]

@MAYAMETAL2 おめでとう🏁

[堀江優太｜Yuta Horie @H_Y_per]

Blenderユーザーならほぼ全ての人がお世話になっているであろうCC0の素材を無料で提供してくれている神サイトであるPoly Haven（https://t.co/MoEeTurMbz）さん、
本日、木目のテクスチャが大量にアップされてて、建築Viz勢のワイ、大歓喜！！！！
テクスチャは実物から作成されていて、オークやウォルナット、チェリーやチークなど、実際の建築物でよく使う木目が豊富に揃っています。
しかも、かなり使いやすいサイズ感のテクスチャが揃ってて嬉しすぎて涙が止まらない…！！

PBR用のテクスチャがダウンロードできるから、V-rayやD5 Render、Twinmotionなどの全てのCGソフトで使えます。
みんな、ダウンロードして、お礼に寄付をしよう！！

[80 LEVEL @80Level]

Matt Le Fevre, Senior Technical Artist at Ninja Theory, demonstrated how his joint-on-curve system handles shoulder and chest deformation.

[パスカル @uiweo]

@everylittlelife こうしたみたいです。
https://t.co/woInVizvdR

[su3 @su3free]

@waitmaya 31

[曦曦鱼SAKANA @xixiyusakana]

100 Mocap Actors at Once… Can We Pull It Off? #mocap #motioncapture #anime #videogames #acting #funny

[老化さん by NOMON & Co. @NOMON_and_Co]

認知症の「最初の一粒」が、ついに見つかってしまった。

僕がずっと気になってたのは、アルツハイマーの原因とされるアミロイドβが、そもそも「何をきっかけに」溜まり始めるのか、という点だった。
発症の20年も前から静かに積もっていくのに、その引き金だけが謎のまま残されてたんだ。

今回、日米のチームが老人斑の成分を丁寧に分析して、蓄積を一気に加速させる"種"のような物質を特定した。
「ピーク1Aβ」と名付けられたそれは、亡くなった患者さんの脳からは見つかって、アルツハイマー以外で亡くなった人からは検出されなかったらしい。
かなり本命くさい。

レカネマブなどの薬が「溜まった後の掃除」なら、こっちは「溜まる前に止める」話。
血液検査で種を先回りして見つけられる未来、僕はけっこう楽しみにしてる。

[Millie Marconi @MillieMarconnni]

A Japanese engineer invented the QR code for one job, tracking car parts on a Toyota line, then his company chose to give the patent away for free, which is the only reason it ended up on every restaurant table on Earth.

His name is Masahiro Hara. The company was Denso Wave, a parts supplier owned by Toyota.

In 1992 the problem landed on his desk, and it was not glamorous. Workers on the factory floor were drowning.

Every car part had a barcode, but a barcode can only hold about twenty characters, so to track one component they had to stick five or ten barcodes on it.

A worker would stand there scanning a single part ten times in a row. Some of them were scanning close to a thousand barcodes a day. The job had stopped being about building cars and turned into pointing a scanner at stickers all day long.

And there was a second problem nobody upstairs cared about. This was a factory. Oil got on everything. A smudge of grease across a barcode and the whole thing became unreadable, and the line stopped.

Hara was asked to make the scanner faster. He looked at it for a while and realized the scanner was not the problem. The barcode itself was the ceiling. A line of black bars can only hold information going one direction, left to right.

He decided to build something that held information in two directions, up and down as well as across, so it could store hundreds of times more in the same little square.

Then came the part that sounds made up but is not.

Hara played Go on his lunch breaks, the old board game with black and white stones sitting on a grid. He was staring at the board one day and it clicked.

The grid of black and white stones was already a way to store information in two directions. That was the shape of his code.

But building the code was the easy half. The hard problem was speed, because the whole point was to be fast, and a scanner wastes most of its time just trying to figure out where the code is and which way it is turned.

The fix came to him on a train. He was looking out the window at buildings, and one building stood out from all the others because of its shape against the sky. That was the idea.

He put three little square targets in three corners of the code. The moment a scanner sees those three squares, it knows instantly where the code is and how it is rotated, even upside down, even at an angle.

Now here is the detail that shows how far he was willing to go. Those three corner squares only work if nothing else on the page looks like them.

If a magazine ad or a cardboard box happened to have the same black and white pattern nearby, the scanner would get confused and grab the wrong thing.

So Hara and his tiny two-person team went and surveyed printed material. Magazines. Flyers. Cardboard boxes. Piles of it, for days, reducing every picture down to its ratio of black to white area, hunting for the one ratio that almost never shows up in print anywhere. They found it. One to one to three to one to one.

That exact rhythm of black and white is baked into every corner square of every QR code on Earth, and it is there because it is the pattern the printed world almost never produces by accident.

Then he solved the oil.

He built the code so it carries a backup of its own information, spread mathematically across the whole square. You can tear off, smudge, or scratch out up to thirty percent of a QR code and it still scans perfectly, because the code rebuilds the missing piece from the copy it kept of itself.

A worker could get grease on a third of the label and the line would keep moving. This is the same math that lets a scratched CD still play and lets a spacecraft send data back across the solar system without asking to repeat itself.

He finished in 1994. He named it Quick Response, after what it does for the person using it, not after what it is.

And then Denso made the decision that actually mattered.

They held the patent. They could have charged a fee on every single scan, and given how many billions happen now, that would have made someone unimaginably rich.

Instead they announced they would not enforce their rights to collect royalties, and they published the specification openly so anyone could use it. Hara later said it was not even a big argument inside the company.

That one choice is the whole story. A code that costs nothing to use is a code everyone builds on. Airlines put it on tickets. Phone makers built readers into cameras.

Then a pandemic hit and the world needed a way to hand someone information without touching anything, and the free little square that a Toyota engineer built for greasy factory workers was suddenly on every menu, every payment, every door.

Hara still works there. He has said, more than once, that he never imagined it would spread this far, and that the part he is proudest of is that it got used to keep people safe.

The man built it to survive oil on a factory floor. It ended up surviving everything else too.

You have scanned his work a hundred times this year. Now you know whose it was.

[Miracle Splash @miracle_358]

【チャッピー、怪しい業者を撃退する🥹】

コメント欄見て、初めて気付いた。
家の中の人VS.怪しい業者だと思ってたら、
チャッピーVS.怪しい業者だった😮
こんな使い方ができるなんて、チャッピーすげぇ！

[アカルカネ @AcarcaneCG]

【note更新しました📢】
本日は「コンポジットチュートリアル動画まとめ」から
『映画制作が激変!? 照明を後から自由に変更できるSwitch Lightを徹底紹介』
（原題：This INSANE Software Just Changed Filmmaking）
をご紹介します👀
紹介記事：https://t.co/Pfumonc8AS
著者：Joshua M Kerr様
動画：https://t.co/4NagQKCXXk

noteでは過去にXの方でご紹介した記事に加筆・修正を行いながら、より「読みやすい・探しやすい」形に整えて公開しています。
他の過去記事も順次公開予定！気に入っていただけたら、フォローしてもらえるとうれしいです🤗

[Iker J. de los Mozos @soyposmoderno]

My team at @Google has just open sourced GNM, our parametric 3D statistical model of the human head, which is learned from a large dataset of 3D scans. It provides fine-grained control over facial identity (170 head and 80 teeth components), expressions (383 components, with a range of -3 to +3) and head pose.

You can get all the data here! https://t.co/kj1vkbXR0x

Congratulations to everyone for the release, and stay tuned for the next ones ;-)

[Prismal @PrismalDesign]

A New Tutorial is Out!

We're looking at Forgotten Metal Knowledge and expanding on seemingly common and mastered materials : https://t.co/SsjExBxFuY

[地平線🌪️ @xxx69f1]

#ALGS スプリット1 世界大会
7/10(金) 22:30 Survivor Stage (10試合)
7/11(土) 22:30 Match Point Finals

[あうどーる @Aud0r]

EWC グループステージ総合順位

〇決勝直通
6位 ZETA | 8位 RC | 14位 UNL

〇Survivor Stage
22位 KNC | 29位 E36 | 30位 TIE | 31位 WGRN

〇敗退
39位 DORY | 40位 TRN

[Armiger Entertainment @ArmigerLLC]

『天地無用！』新作アニメ、プレローンチページ公開！

清音、那岐、そして剣皇鬼が新たな冒険へと帰ってきます！監督を務めるのは、あのねぎしひろし氏！
@tsukumotakumi

https://t.co/0tJ6Tc8Luu

#天地無用 #tenchimuyo

[Apexニュース@えぺタイムズ @ApexTimes]

【注意喚起】「Switch版プレデターが全員BANされた」というデマが拡散 ←山下さん「非常に悪質」
━━━━━━━━━━━━━━━

記事全文はコチラ👇
https://t.co/HlYTk7Rq8k

[K @8v8zz_]

自分もこの思想で何かある度に彼氏を褒めちぎってる

[川村裕子@蜻蛉日記 @kagekageko]

すごすぎる。
国立美術館5館所蔵のパブリックドメイン作品画像14063点の無償ダウンロード提供が開始 https://t.co/4sAJ1nAQsE

[Cats with Aura 😺 @catwithaura]

When Nick was just a tiny lynx cub, his mother rejected him, leaving him orphaned and alone. He was brought to a wildlife rehabilitation center, where an unexpected foster mother stepped in - a domestic cat named Masha. While nobody knew if the tiny cub would survive, Masha immediately accepted him as her own. She groomed him, slept beside him, comforted him, and helped raise him through his most vulnerable days. Under Masha’s care, Nick grew from a helpless cub into a strong and healthy lynx. But although Nick grew bigger, one thing never changed - his love for the cat who became his mother.