At age 54, Justin Trudeau finally gets his big break in the entertainment industry with a bit-part playing a mexican jumping-bean in a Katy Perry video.
Ana Kasparian believes that if your country is small, the World Cup lets you team up with another country for games, which is why they US played Bosnia and Herzegovina together.
These influencers are incredible.
Excellent letter to the editor published in The Dallas Morning News.
Fairview mayor owes Latter-day Saints an apology
Mayor John Hubbard of the fast-growing Dallas suburb of Fairview recently wrote in the pages of The Salt Lake Tribune about a zoning dispute in his city. Hubbard has said his goal is to embarrass leaders of The Church of Jesus Christ of Latter-day Saints, which is headquartered in Salt Lake City, because of their decision to build a temple with a 120-foot steeple that his town approved.
A forthright response is warranted, not from church leaders, who already reached an agreement with the town of Fairview, but from everyday Latter-day Saints, the kind who are hurt by Hubbard’s jeremiad.
In his essay, Hubbard significantly misrepresented the nature and character of Fairview.
He wrote that Fairview is organized around a 35-foot height limit in residential zones. But he did not mention that the temple is located on a major thoroughfare that is currently part of a major expansion project. He also failed to note that the temple site is located on “church row,” where each of the surrounding buildings exceed that 35-foot limit. Churches have been built on this stretch because the road is so busy home builders will not build on it. So much for residential.
Hubbard said Fairview is a small town but did not note the massive outdoor mall less than a mile down the road the temple will be built on, nor that the mall also exceeds the 35-foot height limit.
In other comments, Hubbard compared the temple height to Yankee Stadium, the Leaning Tower of Pisa and the Sphinx. These examples serve to distract. There are six churches in Collin County alone that are taller than the proposed temple and located in residential areas. No need to mention Italy.
Hubbard claimed in his column that the temple would be the tallest structure Fairview has ever seen. That would make sense given how quickly Fairview is growing. But unfortunately, the mayor evidently overlooked other structures in his town. The temple will be at least the fourth-tallest structure in Fairview.
Hubbard also failed to mention that in 2006, Fairview granted Creekwood United Methodist Church a conditional use permit for a building expansion that included a proposed 154-foot digital bell tower. The tower was never built, but the permit itself shows that the town has previously approved a structure substantially taller than the proposed temple. So much for how important height is to the town’s character.
The Church of Jesus Christ has already compromised with the town of Fairview, significantly reducing the size and height of the building to meet the city’s needs. But Hubbard calls the church a bully because it asked the town to follow federal law. After all of this, Hubbard has the temerity to say it is the church that is being a bad neighbor.
Texans aren’t so easily fooled. I lived in Texas for 18 years. Telling our neighbor what to do on their own property, going back on your word, trying to embarrass them — that’s not the Texas way.
This kind of name-calling from a mayor does real damage to real Latter-day Saint kids who are trying to belong, and for what? Stopping the seventh-tallest church in the county, a mile down the road from the mall, on “church row.”
If Hubbard’s goal is truly to be a good neighbor, it’s time to put the embarrassment campaign away, offer an apology, and start mending fences with the Latter-day Saints he’s damaged with his misguided campaign.
Author is the legendary CD Cunningham
FIRST LOOK: The Brink of War is an upcoming political thriller about President Reagan's efforts to negotiate nuclear disarmament with Soviet leader Mikhail Gorbachev. Jeff Daniels plays Ronald Reagan & Jared Harris plays Mikhail Gorbachev while J.K. Simmons plays George Shultz. In other words, the cast is loaded. I’m partial to any political thriller, it’s a genre I love. This is added to my @letterboxd watchlist.
Jean-Jacques Rousseau – the original Woke
He invented it. Every premise of contemporary progressive ideology traces directly back to one man who had never met a "noble savage", never raised a child, and never lived according to a single principle he preached.
1. His foundational claim: man is naturally good and civilization corrupts. This sounds compassionate. It is the most dangerous idea in Western political thought. Because if man is naturally good, then every failure, every crime, every inequality is caused by the system – never by the individual.
Responsibility evaporates. The oppressor is always external. The victim is always pure. This is the complete architecture of Woke in one sentence, written in 1755.
2. The "Noble Savage" is Rousseau’s Form – his version of Plato’s ideal. The uncorrupted man, untouched by property, competition, and civilization, living in natural harmony. Rousseau had never met one. He invented him from an armchair in Paris, extrapolating from travel accounts of peoples he had never visited. The Noble Savage is not an anthropological observation. He is a political weapon – a club to beat civilization with, wielded by someone living comfortably inside it.
3. The "General Will" is the most dangerous concept in modern political philosophy. Not the actual expressed will of actual people – but the deeper will, the will people would have if they were "properly enlightened". Whoever claims to know it can do anything in its name. Robespierre knew it. Every revolutionary vanguard since has known it. Today’s progressive institutions know it – which is why they can override democratic majorities, suppress dissent, and compel speech, all while insisting they represent the people’s true interests. The General Will is the intellectual license for every tyranny that calls itself a liberation.
4. The chain from Rousseau to today is unbroken. Rousseau to Robespierre and the Terror. Robespierre to Marx, who secularized the General Will into historical necessity. Marx to every "liberation" movement that ended in a gulag. And today: replace civilization with white supremacy, replace the Noble Savage with the marginalized community, replace the General Will with lived experience – and you have the complete operating system of contemporary progressivism. The software is the same.
5. Voltaire, his contemporary and rival, saw him quite clearly: Rousseau made primitivism intellectually respectable. He gave the comfortable classes of every generation a way to signal virtue by denouncing the civilization that produced them, from inside it, without cost. The French Left Bank intellectual denouncing capitalism from a café. The Harvard professor deconstructing Western civilization from a tenured chair. The hedge fund billionaire funding the abolition of meritocracy. All of them are living in Rousseau’s armchair.
6. He sent all five of his illegitimate children to a Paris orphanage. Then wrote Émile – one of the most influential books on education in Western history, a detailed guide on how to raise a virtuous child in harmony with nature. He did not find this contradictory. This is not hypocrisy in the ordinary sense – this is obłuda (remember the obłuda of communism?👇🏻). The defining structural feature of the ideology he invented: the sermon is inversely proportional to the practice. The performance of virtue replaces the exercise of it. Naming the oppressor substitutes for personal accountability. Rousseau didn’t just invent Woke – he lived it, in every detail, before anyone had the word.
7. The original Woke was woke about a fiction he invented – and spent his life performing outrage about a civilization he depended on and never left. Two and a half centuries later, the performance is the same. The noble savages have been updated. The General Will has new names. The orphanages are metaphorical. But the man who sends his children away and then lectures everyone else on how to raise theirs – that man is everywhere.
Fun fact.
Italian singer Adriano Celentano released a song in the 1970s with nonsensical lyrics meant to sound like American English—to prove that Italians would just love any American song.
And it was a hit.
People pretend beauty is subjective. It isn’t. Some forms are inherently more pleasing than others. Some proportions are objectively better. We knew this once. Art Deco was built on this knowledge. It must return.
It’s not the Nazi tattoo, or his lying about it, or his statement that all cops are bastards, or his use of an app that targets teens, or his admission he was a communist that led Ds to dump Platner.
It’s fear he will lose that caused this stampede.
Never forget that.