jules

willful, obtuse even

[jules @themethqueen]

modern people love to spend 75% of their waking life being part of at least a dozen covert social media experiments at any given time, funded by dandy Nazis who think cumming depletes your psychospiritual essence

[jules @themethqueen]

@Techerous @buccocapital wiwki c '10 never had articles on "how to use glue to make your pizza" not obviously joke pages, but more so, the kind of search literacy you rightly expound are completely out of line of both the average quieriers' understanding of how LLMs work nor how google wants them to

[Christian Nightmares @ChristnNitemare]

Good luck gooners…

[jules @themethqueen]

@OzmunC it was never a real thing dog the jokes going over your head https://t.co/v4Hjgd9yq8

[jules @themethqueen]

@edzitron feels like they want (and need) to be nationalized, but not in the nordic way but more germanic

[jules @themethqueen]

just gonna say it, I find no erotic appeal in a female saxophone player

[jules @themethqueen]

Was pee wee Herman soy

[jules @themethqueen]

Yeah a three thousand word post is always a great sign of innocence

[björk @bjork]

i wanted to tell you how we made the visuals for nerve-bloom
i did it with Natalia Kleszczewska and Natalie Liu .

Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds .
Natalie Liu is a computer graphics director , she shaped the digital dimension of the work .
my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in .
to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction.
we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song .
like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning .
to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist ,
.....encouraging each other to bloom even further towards a mutual world .

there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now .

i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view .
this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia .

when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go .
the structure of a song has always been extremely important to me : what shape it is .
this is part of the craft of being a singer-songwriter

........... we are tune sculpturors .......

since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos .
they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog .
for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes
( which we all can act out the characteristics of ...)

.... i feel nerve-bloom is a natural continuation ....

an animated avatar archetype

singing you a song

–––––
Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026.

The production of this film was made possible with the generous support of #bottegaveneta.

[jules @themethqueen]

@ajlanfranco I honestly am trying and I just get bored 😑 I wish i liked em more I feel it could maybe solve my depression

[jules @themethqueen]

Is 42 too old to get into gaming

[jake @wormpuller]

Throw your hair in a bald, drink some bourbon, put on some stone temple pilots and get divorced

[Soleil @soleiljolina]

Having unwashed hair will have you believing shit like I can’t be saved

[jules @themethqueen]

The lonely junkie has full CNS failure and literally frees his mind alone in a culvert at night

[jules @themethqueen]

@TheRealJChubby Is actually a dangerous slippery slope, discourse wise. At what point is the junior engineer at Raytheon more unethical than the custodian who cleans their toilets?

[jules @themethqueen]

Fever ray > bjork and I don’t even hate bjork. Actually have a lot of respect for her as an artist, but it’s just not for me. But Karen driejer deserves way more clout for being much better at doing the things I think bjork fans admire

[jules @themethqueen]

The way my existential dread of my future and psychosocial regret disolves when the kratom extract hits

[jules @themethqueen]

@RamonPang

[jules @themethqueen]

@HeerJeet @paulinekaelbot

[jules @themethqueen]

@sethharpesq Bro they’re gonna kiss u stay safe

[jules @themethqueen]

@asdkfjasdlfjd Idc about disagreeing this is such a cold take I’ve seen this tweet a thousand times

[Dr. R. J. Vein @VeinRichard]

I come from old monkey