Daryl

📀🟦

[Karmine Corp @KarmineCorp]

ON L’A FAIT AHFFIFKFKFKDJDZB

[Kylian Mbappé @KMbappe]

Madame Celeste Amarilla,
Vous êtes une femme méprisable et indigne de sa fonction.
Vous ne représentez pas le Paraguay, ce pays qui a transpiré la passion et l’honneur tout au long de la compétition. Par votre inconscience et votre racisme décomplexé, le monde entier a déjà oublié le parcours et l’effort historique que vos joueurs ont réalisés durant cette coupe du monde pour laisser place à une dame incompétente donnant la pire image possible de son pays.
Je ne laisserai jamais aux gens comme elle, la liberté de laisser propager leur haine et leur racisme à travers le monde.

[sicca @lucholise]

michael olise youre an icon

[WANA Visuals @wana_visualss]

🎸 Tuareg Blues, often referred to as Desert Blues, is a hypnotic and deeply evocative genre of music that originates from the Imazighen people of the Sahara Desert, spanning Mali, Niger, Algeria, Libya, Burkina Faso and many other countries.

Rooted in centuries-old Imazighen traditions, it merges the haunting melodies of North African Imazighen music with the raw energy of American blues and rock.

The Imazighen, have long used music as a means of storytelling, resistance, and cultural preservation. Traditional Imazighen music was played on instruments like the teherdent (a type of lute) and the imzad (a one-stringed violin, traditionally played by women). However, in the late 20th century, as Imazighen communities faced displacement, political struggles, and exile, many young musicians turned to the electric guitar, inspired by the revolutionary sounds of Western blues, rock, and reggae.

This fusion created a distinct style-characterized by pentatonic scales, hypnotic rhythms,
call-and-response vocals, and the steady, trance-like repetition reminiscent of both Saharan folk chants and Mississippi Delta blues. The influence of artists like Ali Farka Touré, whose Malian blues style bridged African and American blues traditions, also helped shape the genre.

The music features driving guitar rhythms, often with reverb-heavy electric guitars that produce a shimmering, almost psychedelic effect. Call-and-response vocals reflect lmazighen oral traditions and communal storytelling. The lyrics are poetic and political, speaking of exile, freedom, rebellion, and the vast beauty of the desert. The hypnotic, repetitive structure of the music creates a trance-like atmosphere, deeply connected to the rhythms of nomadic life and the endless expanse of the Sahara.

by Houssaine Ousbouh

[Nostalgic Gamer @16bitnostalgia]

Pokémon Gold Version
1999
Nintendo Game Boy Colour

[Itsuki Haru @ItsukiiHaru]

Soft rain, quiet streets, Kyoto, Japan🇯🇵

[Ramin Nasibov @RaminNasibov]

A bar logo in Japan.

[定 @de3dsoul]

SLY 3 COOPER (2005)

[Daryl @AimDaryl]

@kimnoel Chaud de savoir

[Daryl @AimDaryl]

@everestchris6 Openclaw

[Alec Stapp @AlecStapp]

Retirees in France now have higher incomes than workers

[森優 moriyuu @0617Forest]

弁当備忘録

[むくも / mukumo @muku_mukumo]

#絵柄が好みって人にフォローされたい

[Daryl @AimDaryl]

@Kev_BTD @madgedymey @MonsieurYordle Tu parles de l’aide à la création d’entreprise par exemple ? Ou d’une autre ? Les indemnités sont moins importantes dans ce cas là et versées différemment pour le coup si tu fais le total mais c’est une option

[Manel @Anima_nel]

Pokemon - Johto Ecruteak City Comm Nght WIP
#PortfolioDayHello #pixelart #ドットの日 #ポケモンイラスト