Cosplayer, Propmaker, Gamer, Streamer and general madman.
| I mostly share stuff related to my hobbies and interests.
I'm JustinTroubleAgain on all platforms
A coisa que mais me corta o coração é que a nikki normal, no início do filme é CHEIA de personalidade, e sonhos e trejeitos e modos de falar, ela é marcante até demais como pessoa, e o bear vai lá e com o pedido faz ela virar uma casca COMPLETAMENTE vazia e sem personalidade.
The impression I get from The Amazing Digital Circus is the creator was working out something pretty personal through her art and she probably didn't expect over a million teens to make the aesthetic and lore their entire personality.
Most people have never loved a whole person and that's why I really support friends to lovers.
You get to witness how beautifully insane she is before you fall in love with her. You see the emotional spirals, strange habits, intensity, fears, chaos, and somehow you love that version first.
And then something magical happens, over time that same woman slowly transforms into an angel whose heart contains nothing but love, care, devotion, and softness for you. The "batshit crazy" never really disappears cause you loved that part too and it simply becomes integrated, and held within the safety of being deeply loved.
I do not understand why everyone speaks as though they fell in love with a fantasy that suddenly shattered. Did no one actually meet the person before deciding to love them?
seeing the madness, wounds, peculiarities, and saying, "Yes, I know. Come here." Is love.
Perhaps people aren't falling out of love but rather they simply never loved the whole person to begin with.
TADC’s primary message, actually, is that the only antidote to self-obliterating nihilism is connection with other human beings, and that’s why there are so many scenes of people talking with one another about “their issues.”