đOs presentamos el cartel de la 59ÂȘ ediciĂłn del Festival, que rinde homenaje al baño de sangre de Carrie, de Brian De Palma.
https://t.co/vxP7nsWkWg
Architect vs. Artist: Who Actually Drew the Centuryâs Most Iconic Logo?
The creation of the Mexico 68 logo remains one of graphic designâs most storied power struggles. While history often highlights American designer Lance Wyman for the technical execution of the radiating parallel lines, archival evidence and testimonies from the Organizing Committee strongly support Pedro RamĂrez VĂĄzquez as the conceptual architect. As the Committeeâs President, RamĂrez VĂĄzquez rejected initial proposals as too "Western" and dictated the core vision: a fusion of the five Olympic rings with the digits "68." He sought to marry modern Op Art with the linear geometry of indigenous Huichol wax paintings, ensuring the identity was undeniably Mexican.
The drama between the two men stems from a fundamental clash over authorship versus collaboration. Wyman has long maintained that his arrival in Mexico City and subsequent sketches birthed the "68" logotype. Conversely, RamĂrez VĂĄzquezâs estate has produced documents suggesting the geometry was already being prototyped under his strict direction before Wyman was even hired. This friction illustrates the tension between a visionary director who sets the "Total Look" and the talented designer who refines it. While Wyman provided the expert hand, it was RamĂrez VĂĄzquezâs cultural authority and specific geometric instructions that ultimately defined the logoâs soul, leaving a legacy of brilliance shadowed by a lifelong dispute over who truly held the pen.
#logodecks
đŽ | FILTRAN PAQUETES PARA SUPLANTAR A MEXICANOS EN REGISTROS CON "PRUEBA DE VIDA"
En foros de ciberdelincuencia ya se venden paquetes completos (selfie, identificaciĂłn y video selfie de cada persona) para pasar filtros KYC. SĂ, muy similares a los que se usan en el registro telefĂłnico.
Los paquetes que muestro en este video apenas se publicaron ayer, aunque todo indica que la informaciĂłn fue robada en 2024. Aun asĂ, las credenciales de elector siguen vigentes (y es poco probable que estas personas hayan cambiado significativamente en dos años).
Esto no es teĂłrico: estoy MOSTRANDO EVIDENCIA de que no existe seguridad para un registro de esta magnitud. Y no solo eso, ya hay antecedentes de fallas en el resguardo de datos, como en el caso de @Telcel
Esto ya estĂĄ ocurriendo. El gobierno debe reconsideraer: si quieren, no nos den la razĂłn; inventen lo que quieran, pero ese registro es una muy mala idea.
Las pruebas estĂĄn aquĂ (y en cientos o miles de hackeos que estamos sufriendo todos los dĂas).
Hippo fluid scene pushed to 100M particles made with HydroFX. Foam, bubbles, and spray all simmed together in one system for a cohesive result, fully GPU accelerated. Meshed + extra sand interaction in Houdini, final lookdev/render in Blender. Get HydroFX https://t.co/1aKDxmZK9V
Ripped Demon. Weekly sculpting practice in Blender, based on a drawing by the great Ian Higginbotham @ianlaser . I canât recommend his Instagram account enough if youâre looking for inspiration to draw, paint, sculpt, or animate.
Blender 5.0.1, Cycles.
And no, this isnât AI.
The third season of Primal was recently released. I'm watching it with my kids and we love it. I took a sketch that Genndy Tartakovsky posted recently and I sculpted Spear walking covered in blood.
Blender 5.0, Cycles.
The music is from the series.
#primal@Blender đ¶
Digital art has a visibility problem.
When the work is done, the journey disappears.
There's no studio covered in evidence. No brushes to clean. Just a file that opens every time, like nothing ever happened. But something did happen. Hundreds of hours or something.
I think those hours matter. I think watching someone move through doubt and into clarity is more valuable than just seeing the clarity. It teaches you that the mess is part of it.
I'll always be creating. That's the only promise I can make. Not that the work will be good. Not that it will land. Just that I'll keep showing up, keep building, keep sharing the road alongside the destination.