The People's Champ

Money sittin' tall, Yao Ming

[jack @actionjack69]

Wemby didn't give a single Knick credit at any point this series, threw up an airball and then walked off the court first without shaking hands with anyone.

This kid fucking SUCKS bro he's earned a hatewatch for life

[Rolo Tony @PoorOldRoloTony]

The lighting on Henry Lloyd-Hughes’ face in this scene is classic Indiana Jones villain type shit.

[Joseph Kahn @JosephKahn]

As much as we talk about Spielberg's blocking, he's also one of the best Hitchcock style editors. His shot placement is as good as his camera moves. Not to mention his sound and music design. It's how he fluidly uses any tool with no mandate that makes him special. He's a master at everything.

[Ezra Cubero @EzraCubero]

I'm not surprised that the reactions to Disclosure Day are getting more polarizing as more people see it. However, it really disappoints me that the rampant cynicism polluting the online space is robbing people of feeling just an ounce of this film's abundant sincerity.

[Seb 🇲🇽 @sabooschin]

spielberg tapped into an energy not seen since the 00s even down to a distinct needledrop.

[Mike_Sauce @M_Sawce]

The most movie looking movie all decade and I mean this as a compliment.

[Chris Evangelista @cevangelista413]

Spielberg is not naive, he’s optimistic. I suppose you could argue optimism in this current hellworld moment is its own form of naivety. But when you spend your entire life bringing people together with a little bit of magic, you tend to hope for the best.

[Prashanth Vallavan @Prashanthverse]

Absolutely no one in the game moves their camera around like Spielberg does. God level blocking and composition in Disclosure Day.

[DiscussingFilm @DiscussingFilm]

Aaron Sorkin says he spent 3 days trying to convince Jesse Eisenberg to return for ‘THE SOCIAL RECKONING’.

“He simply did not want to be conflated with Mark Zuckerberg anymore... He doesn’t like kids coming up to him in airports with business cards that say ‘I’m CEO, bitch’ for him to sign.”

(Source: https://t.co/s6X2bd5T9e)

[Anish @filmicshailar]

Spielberg and Janusz Kaminski in Disclosure Day are moving the camera in ways that we haven't seen done in a while

[moo☄️ @girlpatbateman]

The social network works so well because it’s not trying to be a biopic at all, most of it didn’t happen but no one cares because it’s entertaining

[‎ً @3randyn]

monk gimmick ain’t working no more nigga. you worse than Hitler

[patrick. @imPatrickT]

THE SOCIAL RECKONING with a Fincher color grade.

[Variety @Variety]

EXCLUSIVE: "24 Jump Street" is officially in the works at Sony

- Jonah Hill, Channing Tatum and Ice Cube are in talks to star

- Rodney Rothman, Jonah Hill and Meghan Malloy wrote the current script. Rothman will direct.

- Returning producers are Phil Lord and Chris Miller,  and Neal H. Moritz.

https://t.co/WktV332bfg

[Joshua Gould @voicearchivist]

The Golden Age of Pixar will never be beaten.

[Jeremy Cohen @TheCohencidence]

POV: You’re being guarded by Victor Wembanyama and he can do whatever he wants

[Todd Spence @Todd_Spence]

In June 2000, Robin Williams sat down for a conversation with George Lucas for Robin's brief weekly interview show on audible. The episode was originally thirty minutes but below you'll find the entire raw recording from two different sessions, with discussions ranging from Marlon Brando as Jabba the Hutt, to Lucas asking if Robin would voice a CG Howard the Duck for a special edition of the '86 movie 👏 Really cool

[JP @jpmovies24]

i love this moment of genius camera work from spielberg so much

[fab @nolantenct]

the Last Crusade is the best Indiana Jones movie

[The DC Gaslighter @JILexander]

I hope Matt Reeves never has to endure this