VFunk

Art above all, but love.
Banner: Rust Belt and Layers by @Vhils1 | Chrysalis @fx_hash_ | Voyager @Artblocks_io | Amazonia by Sebastiao Salgado @Sothebysverse

[VFunk @VFunk0]

Proud to have commissioned this beautiful work together with other 7 friends & collectors 🌊

[Vhils @vhils1]

🌊 A tribute to the legendary Portuguese poet Sophia de Mello Breyner Andresen now stands on the cliffs of Madeira, where the sea and the rocks carry her voice. Having grown up reading her works, I am a great admirer of the work of this incredible author, who has inspired me and

[Justin Gilanyi @JustinGilanyi]

In 2010, @KimAsendorf dropped a pixel-sorting algorithm on GitHub. Free. Artists ran with it. A visual language emerged.

15 years later, Complex at Goethe Institut Bangkok reframes it: a pixel isn’t just an image, it’s a person, a city, billions of lives slipping out of control

[NUBPLUS @nubplus]

gm everyone

[The Lumen Prize @lumenprize]

The 2026 Lumen Prize is now officially open for submissions.

After a record-breaking year with 2,200+ entries from 71 countries in 2025, we're looking forward to discovering the artists who will shape this year's cohort of finalists and winners.

Key Dates:
📅 Open Call: Jan 27 - May 23, 2026

🔗 https://t.co/KbOrDxJEzu

[Monk Antony @monkantony_tez]

thrilleddd to be part of @lumenprize's ISC, a humbling group! 🔗⤵️

[VFunk @VFunk0]

@tomahock Aviso relativo ao vento, não ao estado do mar

[VFunk @VFunk0]

@tomahock Eu li que em Leiria, o distrito mais afetado pela #Kristin , o IPMA passou o aviso de laranja para vermelho no dia 28 já de madrugada, apenas um par de horas antes do pior acontecer. É possível verificar a linha do tempo dos avisos do IPMA ?

[Art on Tezos @artontezos_]

✦ Open-Call ✦

For new ideas and projects across the art on Tezos ecosystem.

If you’re working on or ideating something special - this could be your chance...

Read the article ↓

[KiM ASENDORF @kimasendorf]

Raster und Spektrum
Owned by @HivemindCap
🫠 txtx
Presented by @nguyenwahed
😘 txtx
Shown at @ArtBasel
🤪 txtx

[Art Basel @ArtBasel]

Watching the endless variations of @kimasendorf’s ‘Raster und Spektrum’, presented by @nguyenwahed.

[Monocle Radio @Monocle_Radio]

The Monocle Daily: @DavidBrennan100 and @FrostReporter explore Trump’s plan for Gaza, students are saying no to America and Zelensky’s diplomatic offensive. Plus @vhils1 on his ‘Forever is Now’ exhibition in Cairo https://t.co/Hch8pc1Bil

[Eli Scheinman @eli_schein]

Excited to announce the launch of 'Zero 10' a new global, multi-year initiative for art of the digital era at Art Basel.

We're kicking this off at Art Basel Miami Beach Dec 3-7. 10,000 sq ft of exhibition space on the main show floor.

Not upstairs, not offsite. This will be central to the Miami Beach fair experience and its 100,000 attendees and 10,000 onsite collectors.

New work from:

@AOTMgallery: Dmitri Cherniak
@artblocks_io: Larva Labs
@AspreyStudio: Yatreda, Andrea Chiampo
@beeple: Beeple
@bitforms: Maya Man, Casey Reas, Manfred Mohr
@fellowshiptrust: Ix Shells
@heft_gallery: Mpkoz
@nguyenwahed: Joe Pease, Kim Asendorf, XCOPY
@onkaos__: Mario Klingemann
@PaceGallery: James Turrell
@solos_gallery: Tyler Hobbs
@visualizevalue: Jack Butcher

[Cathia Ziebel @CathiaZiebel]

Impressive collection at Fondation Cartier in Paris.

'Exposition Générale'
From October 25, 2025 to August 2026.

Not to miss when you are in Paris!

@ArtBasel @100collectors
#contemporaryart

[Anna Leven @ForgetDali]

Kim Asendorf @kimasendorf is a German digital artist best known for his generative series. What you may not know is that his early practice included experiments with digital infrastructures, such as APIs of Tumblr and Google Maps, as well as RSS feeds. His first on-chain works were minted on Hic et Nunc and, interestingly, among them was a mini PFP collection, FRATZE.

Let's talk about it. A thread 🧵👇

[Vhils @vhils1]

NEW SOLO SHOW IN PARIS 🇫🇷 → On view until 25 November Check out “SPECTRA”, my new solo show at in Paris. Continuing my exploration of tiles, in this exhibition I present artworks that result from a convergence of age-old techniques and new technologies, creating a

[Eterno Gallery @EternoGallery]

Can AI make art?

Join us Oct 11, 5 PM at @EternoGallery for a talk + interactive session exploring how AI and tech are reshaping creativity and authorship.

With:
✨ Júlia Flamingo — curator & researcher
✨ Joh Karp @johnkarp — co-founder of @nonfungibleconf
✨ Mario Klingemann @quasimondo — artist & co-creator of @bottoproject
💬 Discussion + Q&A + interactive moment
📍 Rua Maria José Nogueira Pinto, Lisbon
🎟️ Free entry — RSVP here: https://t.co/TA0kuwABnb
🔗 Part of The Art of Collective Minds exhibition by Botto

[Adam Heft Berninger @adamberninger]

What a major honor, still floored really. But not surprised - these artists and their work are incredible. Been a privilege to work so closely with them over this past year.

I hope and believe this sets the tone for the caliber of work this young gallery will continue to show 🙏

[Mimi Nguyen واحد 🥯 @drmiminguyen]

Whatever strategy you have, mine is working with artists who were there 20 years ago and who will still be there for the next 20 years pushing digital media

Like:

john gerrard (b. 1974, Dublin) works at the intersection of digital simulation, landscape, time-based media, and environmental systems. His practice is distinguished by the use of real-time 3D simulations that generate looping or continuously evolving imagery, often unfolding in synchrony with natural cycles. These works probe questions of energy, infrastructure, and the entanglement of virtual and physical worlds. He studied at the Ruskin School of Drawing and Fine Art (Oxford), the School of the Art Institute of Chicago, and Trinity College, Dublin, and has undertaken residencies and affiliations with Ars Electronica (Linz), the Rijksakademie (Amsterdam), among others. His work is in public collections including Tate, MoMA, SFMOMA, LACMA, Hirshhorn, IMMA, Borusan, Kistefos, and M+.

Anna Ridler (b. 1985, London) works with systems of knowledge, measurement, and classification, often creating hand-generated datasets to feed into computational processes. Her works interrogate how technologies quantify, narrate, or distort the natural world. She earned an MA in Information Experience Design at the Royal College of Art, and a BA in English Literature & Language at Oxford. She has held fellowships (e.g. UAL Creative Computing Institute) and exhibited broadly (V&A, Barbican, Centre Pompidou, Ars Electronica).

Rachel Maclean (b. 1987, Edinburgh / Scotland) is a multimedia artist and filmmaker whose work combines lush visuals, saturated palettes, and fantastical characters to probe identity, narrative, and digital culture. She holds a BA in Drawing & Painting from Edinburgh College of Art and has exhibited internationally, including solo shows at Tate Britain, the National Gallery in London, and representation of Scotland at Venice Biennale 2017. via @fellowshiptrust

Addie Wagenknecht (b. 1981, Portland / US-Austrian) works at the intersection of open source systems, feminist inquiry, and media art. Her practice often engages hardware, robotic systems, and networked culture to critique visibility, autonomy, and technological infrastructure. She earned a BS in Multimedia & Computer Science from University of Oregon and an MPS from NYU’s Interactive Telecommunications Program. She co-founded NORTD labs and has held residencies at Eyebeam, Mozilla, and CERN, among others.

FAR is an artist-architect whose generative and virtual works examine the material boundaries of code and spatial logic. His projects explore how computational space “breathes” and how nature-inspired algorithms can be remixed to reshape virtual topologies. He holds an MDes in Art, Design and the Public Domain from the Harvard Graduate School of Design, and an MArch from SCI-Arc (Southern California Institute of Architecture), and was previously pursuing a PhD in Film and Visual Studies / Critical Media Practice under the supervision of Krzysztof Wodiczko at Harvard. He also holds an MEng in Civil Engineering.

Harm Van den Dorpel (b. 1981, Netherlands) works across software, sculpture, print, and generative systems. His practice emphasizes algorithmic feedback loops, emergent systems, and the liminality between machine logic and subjective gesture. He co-founded Left Gallery, works deeply in net art lineages, and his works are held in collections such as the V&A and Stedelijk.
&
Jonas Lund (b. 1984, Sweden) works across painting, sculpture, web art, and performance, designing systems in which participants, algorithms, and institutional logics intersect to question agency, value, and authorship in networked culture. He earned a BFA from the Gerrit Rietveld Academy (Amsterdam) and an MA from the Piet Zwart Institute (Rotterdam). via @Interface_art

[Mimi Nguyen واحد 🥯 @drmiminguyen]

🚨Coming 1 October🚨
DOM3 - a new, final blockchain-based work by Leander Herzog and Milian Mori on l1

Interact with the smart contract to turn the record over

[Compulsive Contents @Compulsive_Con]

Vhils doesn’t just carve portraits—he unearths forgotten silences. Each wall bears witness, every face a fragment of our collective past. His art isn’t just seen; it’s experienced. City by city, layer by layer, he reminds us that nothing we create is ever truly complete, not

[GenJPEG @genjpeg]

4/7 TYPE OF ANIMATION

Similar to the works from @kimasendorf's collections “Reading a book,” “tr4ns4ctions,” and “monogrid 1.1 CE” the pixels in the works of the Alternate collection always start from the same position and then always follow the same paths.

However, the deterministic animations never repeat themselves. So you are essentially always watching the same (blockbuster) movie, but it never ends.

This is different in the animations of the “monogrid” and “PXL DEX” collections. Here, a different infinite “story” is played each time the animations restart.