Uki

Marketing intern. Archaeologist-wannabe-turned-ai-sellout, aspiring writer, multilingual translator. Exchange in Europe.

[Uki @chuyouqi]

@BuildWahab nicely done👍

[Uki @chuyouqi]

@BuildWahab it can do so much!

[Uki @chuyouqi]

It's a small piece of cake now for #threejs to create this type of animations. 👏 GitHub repo url in comment 👇

[Uki @chuyouqi]

@JungleSilicon amazing, thx for sharing. I open sourced everything too because i've learned everything from all the kind sharing of open-sourced projects.

[Uki @chuyouqi]

@techartist_ thanks for sharing👍

[Uki @chuyouqi]

Soft petals unfold
Blush light circles the still air
One bloom dreams of wind

Animation in a single html with #webgl

[Uki @chuyouqi]

@sujen_p super cute👍

[Uki @chuyouqi]

https://t.co/COtcVa8Yte

[Uki @chuyouqi]

@jehad_uddin_ beautiful👍

[Uki @chuyouqi]

@LexnLin nice👍

[Uki @chuyouqi]

@Edison_aware google's own AI mode is pretty good.

[Uki @chuyouqi]

https://t.co/7O9BMv74Q4

[Uki @chuyouqi]

Variation from the creation of @yuruyurau
repo url of single html in comment👇 #p5js

[Uki @chuyouqi]

https://t.co/Vs8f1uTAfI

[Uki @chuyouqi]

Wooow... we can really make this Radial Choreography with a single html! #p5js #threejs Repo will be in comment 👇 when it's published.

[Uki @chuyouqi]

@YoheiNishitsuji amazing!

[Uki @chuyouqi]

10 seconds, 16:9 landscape video. Blends dimly lit live‑action indoor footage with rough, glowing hand‑drawn frame‑by‑frame animation. Overall tone is cute, whimsical, lighthearted, and healing – depicting a little duckie as in the attached image driving a tiny miniature car through an exaggerated "commute home." The scene is a slightly cluttered, lived‑in bedroom and workspace. A real laptop, mouse, charging cable, ceramic mug, and a few pens sit on the desk; a door and bed are visible deeper in the room. The space is lit only by a warm desk lamp and the computer screen. Shot entirely in first‑person POV, framed like a smartphone casually held in one hand – with noticeable handheld shake, low‑light noise, and natural motion blur throughout. 0–3 sec: First‑person close‑up of the real desk. A rubber duck sits next to the mouse. A white arrow cursor hovers above its head – suddenly, like a hat popping off, the cursor jumps down and transforms into a tiny yellow hand‑drawn car, no bigger than a coin, with wobbly circular wheels. The rubber duck wobbles into the driver's seat, its little feet sticking out through the windows and pressing against the real desktop. The car lets out a cheerful little "beep beep." The camera wobbles slightly, as if just noticing the scene. 3–6 sec: The little yellow car races across the desktop with the duck inside. It zips around the base of the real ceramic mug, leaving a trail of light‑blue hand‑drawn footprints with every tire rotation. The car charges onto the charging cable – instantly, glowing rails sprout along both sides, and the car morphs into a tiny orange mini‑train, with the duck's signature yellow satchel hanging off the front. The train glides along the cable past the edge of the keyboard, flicking a string of pink little stars that bounce softly on the real keycaps. The camera hastily pans right to follow, always half a beat behind. 6–10 sec: The mini‑train reaches the base of the real door, where its front end pops up and unfolds like folded paper into a red hand‑drawn airplane. The plane streaks across the room trailing yellow exhaust, heading for the bed. As it reaches the pillow, the plane flaps its wings twice and morphs into a light‑blue glowing little bird. The bird lands in the center of the pillow, stretches its body, pops out wheels – and instantly reverts to the original yellow car. The rubber duck pokes its head out the window, raises one wing in a little wave at the camera, then nestles back against the pillow, closing its eyes as if its workday is done. The car's headlights slowly fade into a warm orange glow that wraps around the duck. The camera finally catches up, holding on the duck and car nestled on the pillow, the glow gently pulsing as the scene naturally ends. Hand‑drawn animation must feel like rough frame‑by‑frame redrawn frames. Line weights, contours, colors, and character features should subtly wiggle throughout, retaining the grainy texture of crayon, chalk, and colored pencil. Transformations happen not through smooth CG dissolves, but through lines collapsing, folding, stretching, curling, and redrawing. All hand‑drawn forms retain the white outline and the yellow satchel as identity markers. Glow colors are primarily white, yellow, light blue, pink, and orange – bright but soft, with slight halation that doesn't over‑illuminate the real space. Hand‑drawn characters must accurately contact and be occluded by real objects – the desktop, mug, cable, keyboard, door, bed, and pillow. Real‑world items must not turn into 3D cartoon models. The camera is always half a beat behind the animation. Movement is driven by "can't quite catch up with the duck heading home." No monsters, fangs, attacks, scares, sinister expressions, or creepy contortions. All characters must remain round, lazy, gentle, cute, and non‑intimidating. No perfectly stabilized gimbal shots, overly polished 3D CG, ultra‑smooth vector lines, over‑cinematic lighting, shallow depth‑of‑field, ad‑style compositions, readable on‑screen text, subtitles, logos, or background music. Audio only: room ambience, fabric rustle, car horn, mini‑train gliding, paper flutter, bird wing‑flaps, soft cat sounds, laptop closing, and desk lamp click. All sounds are light, playful, and gentle – no jump scares.

[Uki @chuyouqi]

Working with one of our characters: Mico, the yellow duckling. Prompt below in the comment👇 #aivideo

[Uki @chuyouqi]

@thebuggeddev @MiniMaxAgent @threejs super👍

[Uki @chuyouqi]

@Rownock_Hasan @threejs nice done👍