jev is insane 🤯
here is jev playing smash bros against itself
he is controlling all 4 different characters.
and literally deciding whats the best
move to play against itself
all within a fraction of a second
i used over 22 million tokens to play this match
and it only cost me a couple of cents...
jev does not replace gpt6 astra
but the possibilities with its instant response time
are endless
I built a chat bot with jev, no LLM at all! Responses are instant, no hallucinations.
I hooked it up to web search, wikipedia, weather, todoist and home assistant.
Jev decides what tool to call and what args to use based on the prompt. Instant answers cite sources as well!
Jev VS Fable 5.1 VS GPT-6 Astra: chess
typesafe's new Jev V13 isn't an LLM. it doesn't chat, doesn't explain, doesn't write code — it only makes decisions. so we made it play blitz against frontier LLMs.
the test: 5+0 blitz. every move is one API call.
Jev V13 vs Fable 5.1:
• fable outplayed it. by move 29 it was +16 in material and even promoted a second queen
• but it kept burning 6-15 seconds per move on analysis. jev answered in ~2.6s
• so fable didn't have enough time and lost
Jev V13 vs Astra:
• astra didn't bother winning on material. it mated jev in 18 moves. Qe1#, with 2:27 to spare
Recipe blogs aren't recipes.
They're novels with a shopping list at the bottom.
I built something that just... gives you the recipe. Paste the URL. Clean ingredients and steps. No blog junk.
Just the recipe.
https://t.co/kBUBlqgWg8
(tell me if it sucks)
@thsottiaux the pet is mildly useful for voice when doing other tasks that hide the codex window, but moving it around my screen seems to always bring pack up the codex window so it’s more incovenient than actually helpful
I don't usually celebrate album anniversaries. I have a hard time perceiving the past. I like now, and what's to come. But this album, that turns 20 today, changed my life. I'd had success already, but everything clicked into place on this album. I met some of the greatest musicians and engineers in the world and learned so much about making records from them. When I think back on what made the album so special, some thoughts come to mind, and they're worth my remembering: Life came into the room. I rode bikes on the beach. I was goofy - most of the images from these years are of me doing something wacky. The record took time. Months of writing, giving up on lots of songs, writing new ones, moving studios, taking breaks. As I get older l tend to expect results faster. I get frustrated a little easier. But it's always been the same; you work weeks and months on songs. Some don't make it, but it's never a waste of time. You live more life, you write more songs, and the process starts again. You cherish the tight little list of tunes that matter. When just one joins the ranks, it's a blessing. Joy wins out over discouragement. You have fun with your friends, who are all on the journey of exploring the unknown with you. Great albums are built in layers. You have to become different versions of yourself to create a lasting body of work. Nobody cares how long it takes if the music is meaningful. If you want to make something truly special, you have to bring talented people in the room to contribute. Steve and Pino. Chad Franscoviak and Joe Furla engineering along with Don Smith and Dave O'Brien. Martin Pradler editing vocals. René Martinez handing me the guitar. Ricky Peterson on keys, @jamesbvalentine played some guitar on Stop This Train. Larry Goldings played B3 and @aliciakeys sang backgrounds on Gravity. Roy Hargrove played trumpet.
Charlie Hunter played on In Repair. @BenHarper played slide guitar on Belief. Willie Weeks played bass with Pino on I Don't Trust Myself With Loving You. The right music with the right people at the right time in my life. That's all you can ever hope for. And thank YOU, dear reader, for giving life to these songs. Onward...
if you ask me to listen to a song and I actually liked it, then you’ll literally come to my head whenever I listen to it and that will never not happen