Exhibition
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An Exhibition of Auto-Destructive Art
自己破壊芸術展
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5 days left
Open again from Wednesday 🗓️
exonemo @exonemo
"Hatch/et" (2026)
"断末魔ウス" (2007)
A system reaching its goal is what triggers its own destruction. And a mouse broken for good, next to a cursor that repeats the motion forever
0xDEAFBEEF @_deafbeef
"Entropy" (2021)
The information is intact. The degradation is written into the transfer history, and people price the token by it anyway
0xFFF @0xShiroi
"Diminishing Returns" (2026)
Using the system is what wears its paths down
Zeroichi Arakawa @arandoros
"assumevalid" (2026)
"upgradeTo(Leviathan)" (2026)
A network that no longer verifies its own records, and a hundred citizens whose implementations are switched one by one
Jonah Brucker-Cohen @coinop29
"Alerting Infrastructure!" (2003)
Every visit to a website becomes damage to the building it represents. Here it is the pillar in the gallery
Akihiro Kubota @hemokosa
"Collapsed Constellations" (2026)
"Poesia Povera" (2026)
Computation proceeds by consuming entanglement. Poetry proceeds by cutting away
Toshi @toshiaki_takase
"@toshiaki_takase: Room" (2026)
Deletion hollows out an identity, and each deletion is kept as a separate record
OPEN ⚠︎ Oct 14, 15, 16, 17, 18 ⚠︎
🗓️ 14:00 - 19:00
📍 NEORT++
https://t.co/0FoeiGMsW8
Thank you to @ragnar_art for collecting from the @exonemo series "Last Acres Of The Internet" in the group show WYSIWYG on eBay!
The net artwork is a generative ASCII topography experienced in the browser. View here ↓
https://t.co/Kr5kpzWGN7
Exhibition
━━━━━━━━━━━━━━━
An Exhibition of Auto-Destructive Art
自己破壊芸術展
━━━━━━━━━━━━━━━
0xDEAFBEEF @_deafbeef
"Entropy" (2021)
Every transfer degrades the work, though nothing is actually lost
0xFFF @0xShiroi
"Diminishing Returns" (2026)
Thirty-two contracts. Every transfer wears down the connection it uses
Zeroichi Arakawa @arandoros
"assumevalid" (2026)
"upgradeTo(Leviathan)" (2026)
A blockchain that verifies nothing, and a hundred citizens switched one by one into a single body
Jonah Brucker-Cohen @coinop29
"Alerting Infrastructure!" (2003)
Visits to a website become damage to the building that website represents
exonemo @exonemo
"Hatch/et" (2026)
"断末魔ウス" (2007)
A computer guessing a passcode, and a mouse that cannot be restored
Akihiro Kubota @hemokosa
"Collapsed Constellations" (2026)
"Poesia Povera" (2026)
Measuring a qubit consumes it, and that consumption is the computation
Toshi @toshiaki_takase
"@toshiaki_takase: Room" (2026)
His actual X account, open for anyone to delete from
🗓️ Oct 2 - 18 | 14:00 - 19:00
📍 NEORT++
https://t.co/0FoeiGMsW8
The WEBSITES WEBSITES WEBSITES! (WWW!) exhibit closed last night in NY ❤️🔥
The exhibition brought together twenty artists and thirty years of art made for the browser, presented with @artxcode_io and @rhizome, and curated by @bennavkim@benoit_tokyo_ of LAN Party with Sofia Garcia of ARTXCODE.
Congratulations to the artists, and to every collector who added one of these works to their collection. What's unusual about collecting a website is that nothing disappears, the works stay live at their URLs, public and open, exactly where they've always been.
Thank you to everyone who visited 39 Great Jones Street, and to everyone who supported @rhizome's work as a memory institution for digital art through the sale.
Here's a round-up of some of the pieces collected ↓
⭑ The Last Acres of the Internet by @exonemo
Collected by @WAPSHOP_ETH
The work offers the web's least desirable real estate for sale. While short domain names sell for colossal amounts, like land in Manhattan, exonemo trades in the opposite: the duo registers meaningless domain names of 63 characters, the maximum length permitted, and grows an HTML wilderness generated from random strings on each one. Whoever buys a website owns both the domain and its wilderness, free to build there as they wish.
In contrast to artists raised within today's platform economy, exonemo reflect on what was lost as the web became centralized, asking who holds its territory and what remains for those arriving next.
Thinking of wrapping this up as the "Last Last Acres." Running these auctions across platforms, starting at $24 (what Manhattan was supposedly sold for), was interesting and gave us a new perspective on old/new internet. Auction ends in about 16 hours!
🚨TODAY! 🚨
@exonemo's The Last Acres of the Internet, part of the exhibition WEBSITES WEBSITES WEBSITES! (WWW!), goes to auction at 12 PM ET
⭑ Closes 24 hours after the first bid
⭑ Starting at $24, on Fellowship →🔗 https://t.co/JG4aBoVprg
⭑ Proceeds directly support @rhizome's work as a memory institution for digital art.
The work offers the web's least desirable real estate for sale. While short domain names sell for colossal amounts, like land in Manhattan, exonemo trades in the opposite: the duo registers meaningless domain names of 63 characters, the maximum length permitted, and grows an HTML wilderness generated from random strings on each one. Whoever buys a website owns both the domain and its wilderness, free to build there as they wish.
Bidding opens at $24, the sum Dutch colonial director Peter Minuit is said to have paid the Lenape for Manhattan Island in 1626.
In contrast to artists raised within today's platform economy, exonemo reflect on what was lost as the web became centralized, asking who holds its territory and what remains for those arriving next.
To explore the full project, visit → https://t.co/7U9NTTb6nG
🚨TODAY! 🚨
@exonemo's The Last Acres of the Internet, part of the exhibition WEBSITES WEBSITES WEBSITES! (WWW!), goes to auction at 12 PM ET
⭑ Closes 24 hours after the first bid
⭑ Starting at $24, on Fellowship →🔗 https://t.co/JG4aBoVprg
⭑ Proceeds directly support @rhizome's work as a memory institution for digital art.
The work offers the web's least desirable real estate for sale. While short domain names sell for colossal amounts, like land in Manhattan, exonemo trades in the opposite: the duo registers meaningless domain names of 63 characters, the maximum length permitted, and grows an HTML wilderness generated from random strings on each one. Whoever buys a website owns both the domain and its wilderness, free to build there as they wish.
Bidding opens at $24, the sum Dutch colonial director Peter Minuit is said to have paid the Lenape for Manhattan Island in 1626.
In contrast to artists raised within today's platform economy, exonemo reflect on what was lost as the web became centralized, asking who holds its territory and what remains for those arriving next.
To explore the full project, visit → https://t.co/7U9NTTb6nG
@RtClick_Save Tomorrow (9/25) will be Tribeca Gallery Night and galleries in the area open late! We will be there 6-8PM with drinks 🍷 Come stop by NowHere gallery (40 Lispenard) !!!!
DIGITAL ART SHOWS TO SEE IN NEW YORK DURING ARMORY WEEK 2026
From Auriea Harvey at Heft, to Jennifer & Kevin McCoy at bitforms, and Arthur Jafa at New Museum, galleries and museums have a varied program on offer around this year’s Armory Show
By Louis Jebb
https://t.co/oAp4Bzt1Vs
OPEN TODAY
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The Last Acres of the Internet
exonemo @exonemo
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Back open, 14:00 to 19:00 🪧
Three days left!
🗓️ Sept 24, 25, 26 only
📍 NEORT++
https://t.co/w6VU3dAqgR
Exhibition
━━━━━━━━━━━━━━━
An Exhibition
of Auto-Destructive Art
自己破壊芸術展
━━━━━━━━━━━━━━━
Destruction is not what happens to a work. It is what the work is made of 💥
Gustav Metzger built decay into his works in 1959. Seven artists ask what that becomes in computation, where a process can hold the conditions for its own end
Artists:
@_deafbeef / @0xShiroi / @arandoros / @coinop29 / @exonemo / @hemokosa / @toshiaki_takase
🗓️ Oct 2 - 18 | 14:00 - 19:00
📍 NEORT++
https://t.co/0FoeiGLV6A
今週はNYでRhizomeの30周年、東京ではETH Global。インターネットにブロックチェーンという新たなレイヤーが重なっていく面白さを、それぞれの場所で祝う一週間になりそうです。
昨日はエキソニモ「The Last Acres of the Internet」のオープニングでした。雨の中お越しいただいた皆さま、ありがとうございました。インターネットの辺境に残された「区画」をめぐるこのプロジェクトに、懐かしさと、いまも世界がつながり続けている感触の両方を受け取っています。9/26までNEORT++で開催中です。
@neort_io@exonemo
プロジェクションされたマップには「浮遊感がある」という感想を多くいただきました。私自身、その浮遊感に少し酔いながら見ていました。
いま起きているAIの現象は、The New Internetなのか、それともインターネットを基盤とした新しいレイヤーなのか。答えを急がずに、多くの人と話しながら捉えていきたい。9月は展示を通じて、自分の感覚そのものを問い直す時間になりそうです。
その流れで、今週末9/27(日)はNYからAI Psychosis Summitを招き、渋谷Park in Parkで1日限りの展示/テック&音のミートアップを開催します。自分にはこの流れが地続きに感じている中での開催で面白いです。こちらもぜひお越しください。
@AIPSummit
https://t.co/6QeRVp4fiN
OPENS TOMORROW 🏘️
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The Last Acres of the Internet
exonemo @exonemo
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⚠︎ Open 4 days only ⚠︎
🗓️ Sept 20, 24, 25, 26 | 14:00 - 19:00
🥂 Opening reception Sept 20, 18:00 - 21:00
RSVP ▶︎ https://t.co/OXR0nF7YzE
Own the last land left on the Internet
For one week NEORT++ becomes a real estate agency🧑💻
The plots are 63 character .land addresses, too long to remember and too long to say out loud.
exonemo treats them as open country and puts them on the market 🌐
📍 NEORT++
https://t.co/ALDd3pURiI