Two of my artworks will become available through the Lumen Prize & Sotheby’s on Oct 9 (this week) ⚡️
Presenting a diptych of two unique dye sublimation prints on aluminum, generated with code. I call them Catalina, and I love them.
Each physical has a corresponding ERC-721, with Catalina [Horizon] minted in April 2022 and Catalina [Moon] minted in March 2023. The physical prints & digital tokens will go to the collector.
Curated by @AurondaScalera@CuratorView@lumenprize@galloire
Reflecting on the incredible installations from Rafael Lozano-Hemmer, which were a highlight of Manar Abu Dhabi, the UAE capital’s recent light festival.
An equally breathtaking work will be on show this week at Art Dubai, but for a home collection. DM us for details
Etymologies I, from innovative London-based collective #UVA (United Visual Artists) is series of geometric canvases illuminated by transitioning text drawing on the work of Roland Barthes, Marcel Proust, Daniel Dennett, and others.
#digitalart#generativeart#art
Words are reduced to pure patterns which in turn, incite the viewer to rebuild order and the unique shape of each canvas highlights how our experience is shaped not only by the content, but by the environment in which it is viewed.
@TheWiredWorld@sashastiles …But when exhibited like this, there is also this sense of the immortality of great creativity - of our words, poetry, art and in this case (as we stare at this legendary plastic form) of iconic design, living on forever and way beyond our corporeal form.
@TheWiredWorld@sashastiles The words “This Plastic On Key Will Outlive Us All” can be seen as a comment on the concerning longevity and environmental impact of plastics, but also as a reminder of the constant decaying of our human form - a nudge to seize the day whilst we can….
How Asian collectors are seeking a bigger piece of the art market pie – in Hong Kong especially: Sotheby’s and Phillips have seen bidders spend millions at auction, particularly on Western pieces https://t.co/EYl6BWSSf2
The data-sphere is a driving force of #society and the #economy, despite its invisible nature. This lack of visibility can make it difficult to comprehend how information affects daily life. Billow attempts to meditatively expose the hidden #threads of #data networks.
Currently being exhibited at The Ulsan Art #Museum in South Korea, the sculptural, curved LED screens of @DanielCanogar’s “Billow” series challenge the orthodox rectangular flat shape we expect our #data served upon and provide a new corporeality to the technological device. 🧵
Popular queries from each day appear momentarily as overlaid #text before dissolving into a smoky abstraction. Their lingering forms generate illusions of interlaced imagery…