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@parmita Thanks, this thread was really informative. No wonder Lilly is pushing to reclassify Retatrutide as "biologics."
@imYadav31 Also, since Vietnam does not discriminate against Chinese tech, ACV could have sourced scanners from Nuctech. But India would not buy Chinese, that leaves us with Smiths Detection or Rapiscan Systems which are more expensive.
@imYadav31 The airport may be using 3D+CT scanners i/o 2D+X-Ray scanners along with optional automated tray conveying systems for luggage. In India too, BACS has mandated 3D+CT and full body scanners at least since 2023. But airport operators have not implemented it for cost reasons.
@imYadav31 Not an airline issue but an airport/terminal/ground handling issue. The fight likely is using ground power but does not have ground cooling. If the aircraft were using the APU, then you'll have both power and cooling.
@SandeepMall Since the cars come in as CBUs, they fall outside the value range. Were BYD to start assembling in India, given BYDs wide portfolio, they will have a Windsor type hit on their hands in terms of volumes and give the luxury cars a run for their money.
@kdcloudy Looks like Google has run out of data for training and would like users to upload what is not already online so they can get ahead in the AI race.
@beastoftraal These comparison charts are erroneous and hence misleading. The pen devices from Novo mention the drug quantity per dose, not the for the full pen. As each pen contains 4 doses, Ozempic/Wegovy 2.4mg/0.75ml is 9.6mg/3ml not 2.4mg/3ml like it is being quoted.
@Speaks_Div Don't disagree. To say one capture format or projection format is better than another only basis resolution is a rudimentary discussion. So far as digital pixelation are imperceptible and the film grain are aesthetic and non obstructive, any resolution should be fine.
@Speaks_Div On Dune 1+2 & Project Hail Mary while cinematographer Greig Fraser used ARRI Alexa LF / Mini LF / 65 for the primary capture in 1.43 he also employed a "film out" - a Hybrid Finishing process - Digital to Film (and Back) - with the final colour correction & mastering in Digital.