Top Tweets for #VariableMedia
Finally online:
Documentation of my scale-able screen sculpture
β
β
gestures β songs of algorithm
SOUND ON
https://t.co/oKrOTvOuei
#variablemedia
@golan @caleb_ogg I defy you to find a more low-tech version than Schema Luminoso Variabile (1962) by Grazia Varisco of Gruppo T. It was re-created in electronic form by Reprogrammed Art, a collaborative that includes arduino co-creator Massimo Banzi #variablemedia
"The way the bits are stored is arguably more essential to its work than the visual render"β @ReginaHarsanyi reminds us that works by digital artists like @rheaplex are more than a collection of pixels. Illuminating conversation on #VariableMedia happening now via @BuffaloAKG
As @REAS suggests, we can't really talk about digital art without talking about performance. That's why preservation strategies beyond storage, like emulation and reinterpretation, are increasingly the focus of new media conservation https://t.co/wWyJu8G9aB #VariableMedia
code needs to perform, it can't be captured. when you create generative art in the way some of my work exists, the instant it gets encoded in video for the web or represented as an image, it kills everything that's essential to it.
@TinaRiversRyan @craigdietrich @loriemerson @ChristianePaul2 @patlichty @juspar @LeapingRobot @OliverGrau4 @Skawennati @nmdjohn In Brussels in 2015 @CBardiot presented Rekall and MemoRekall, a video annotation system for documenting performance based less on technological features and more on artistic intent #VariableMedia https://t.co/DKG87xBpVZ https://t.co/bzpsY1IcZt
On its face this seems to be an argument against on-chain SVG. But it's actually an argument against all digital art creation and conservation from the last 40 years, which is a history of accommodating (and sometimes celebrating) changes in the display medium #VariableMedia
@caffeinum With art, when you purchase a piece, you don't expect it to look different in ten years because technology changed. In fact, if your piece is valuable enough, you spend a lot of money combatting the effects of time on organic material. Same with digital art, but cost is up-front.
Hearing @TinaRiversRyan 's concern about custodianship for NFTs, I'm convinced too much of the conversation about smart contracts is focused on rights and not enough on responsibilities #artbaselmiami #variablemedia @pamm
Lucky to be a guest speaker in @nmdjohn's Dartmouth class on digital art and culture https://t.co/SadbwBs4WL. I got to revisit @snibbe's beautiful piece on personal space "Boundary Functions" and how its aesthetic jumped from installation to app 10 years later #VariableMedia
Working in new media, this happens to me every 5 yearsβexcept I am both the old and new archivist. #VariableMedia #Re_collection https://t.co/z47B3ez4IM
This is how my most anxious thought process goes:
Me: so this is how Iβve been doing things
New archivist: oh my god this is all wrong. Weβre going to have to start from scratch
This very obviously will not happen but part of my brain is still trying to convince me it might
Nice example of combining what #VariableMedia calls hardware-for-hardware and software-for-hardware emulation. We used both for @Guggenheim Seeing Double show but never to the extent of an embedded Web server! @despens https://t.co/FVUctI9dsA
Kaltman's diagnosis doesn't even cover user-generated game content. Need #VariableMedia approach 2/2 #Re_collection https://t.co/BSjXTaUWCB
Why current game preservation efforts might not be ready for the future https://t.co/9HC0ZF0Lrk
Ruth Erickson: only extant document of Cage's Black Mountain theater piece is durations set by chance #VariableMedia
"It Is What It Is, Not What It Was" Henry Lowood at Melbourne #DigitalPreservation conf w Anne Laforet #VariableMedia http://t.co/3papHDybqw
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