@0xsamgreen AI is driving rapid change so it’s normal for people to feel uneasy about it.
What they are missing is they now have tools to build, create, and compete without relying on traditional gatekeepers. It’s not just disruption. It’s a huge opportunity for everyone.
Just took my kids to see The Mandalorian and Grogu in @IMAX. It was a fun movie but the highlight for me was hearing Ludwig Göransson’s soundtrack in an immersive setting. He’s a brilliant composer.
I just finished @DeepLearningAI ’s Agentic AI course.
Biggest takeaway: Agentic AI isn’t just about speed and automation. It’s about better outputs.
Instead of one prompt → one answer
You can design system loops that think, check, and improve. That’s quality control built in
Mono Tape Club is a brand new listening room and coffee shop located in downtown SLC. I loved all the music they played. Go check them out and support a cool local business.
We see our home planet as a whole, lit up in spectacular blues and browns. A green aurora even lights up the atmosphere. That's us, together, watching as our astronauts make their journey to the Moon.
This is the shot you can’t get from the press site. This camera was sitting a few football fields from the SLS rocket at Pad 39B for days before launch, baking in the Florida sun, surviving rain, humidity, and whatever else the Cape threw at it. No photographer behind the viewfinder. Just a camera, a sound trigger, and a bet.
The way pad remotes work: you set your camera up days in advance, dial in your composition, lock everything down, and walk away. You don’t touch it again until after the launch. The shutter fires on sound activation
with a @MiopsTrigger smart+ trigger. With SLS, the four RS-25 engines ignite six seconds before the solid rocket boosters, so the camera is already firing before the vehicle even leaves the pad. You get home, pull the card, and find out if you nailed it or if a bird landed on your lens two days ago and left your a present and you got 400 photos of soemthing crappy.
There’s no formula for protecting your gear this close. Some photographers build wooden boxes with doors that pop open. Some use plastic bags and tape. Some do plastic or metal barn door rigs on hinges. I tend to leave mine open just in plastic rain covers because boxes limit my composition and setup time, but that means your cameras are more exposed to the elements and whatever energy and debris comes off the pad. You’re basically gambling a camera body every time you set one.
That’s what I love about this genre. There’s no playbook. You make it up as you go. Every time is an adventure.
📸 credit: me for @SuperclusterHQ - Artemis II pad remote | ~1,000 ft from Pad 39B | Kennedy Space Center
I didn’t expect a piano to make music visible but this does.
That caught my attention.
Someone spent three years trying to turn sound into something you can see.
No AI.
No screens.
Just experimentation.
They tried lasers, smoke, different materials. Nothing worked.
Until they found something unexpected.
Bioluminescent algae.
A living system that glows when disturbed, turning each note into light.
The first time you see it, it feels unreal.
What stands out to me is not just the result, but the process.
Innovation didn’t come from better tools.
It came from combining ideas across disciplines.
Technology. Biology. Art.
So here’s something to think about:
Where do the most meaningful breakthroughs come from today… deeper expertise, or unexpected combinations?
#Innovation #Creativity #Technology #FutureOfTech
Eight years ago today, we released “Invisible.”
Written by @BishopLamont, Phillip Lassiter, Angie Fisher, Josephine Rojer, and NomaD, the song shows the power of music to bring more humanity to issues like homelessness.
👀 brief cameo at 3:08.
https://t.co/M1zvGlyT76