Hegel, Estetik Dersleri'nde güzel sanatları sınıflandırırken maddeden arındıkça ruh ile örtüşmesi açısından müzik ve şiiri en yüce sanat dalları olarak ele alır.
Elvin İlyasoğlu, Zaman Içinde Müzik
2-Luther Copernicus'a inanmamış.
Whoever wants to be clever must agree with nothing that others esteem. He must do something of his own. This is what that fellow does who
1a-Edgar Zilsel tezi : bilimsel ilerleme fikri zanaatkârlardan çıktı.
Yalnızca üniversite filozofları değil, 16. yüzyılın üst düzey zanaatkârları vardır.
haritacılar,
matbaacılar,
mühendisler,
saat ustaları,
gemi yapımcıları,
madenciler,
cerrahlar,
alet yapımcıları.
1. Science and mathematics from the Renaissance to Descartes-
Orta Çağ’da
Bilgi, eğitim yoluyla bireyin zihnine yerleşen bir habitus- kazanılmış kalıcı zihinsel yetkinlik
Güçlü imge: Birey bilgi bakımından ilerler
Zayıf imge: İnsanlığın toplam bilgisi tarihsel olarak artar
Picture reaching for something on a high shelf and coming up short. You don’t give up; instead, you find a stool, carry it over, and climb up. Buried in that action is something remarkable: You held the goal in your mind, identified what you needed, and executed a plan. No training required.
A study suggests bumble bees can do the same—the first demonstration of this kind of goal-directed problem-solving in an insect.
Learn more: https://t.co/JjRYOd5hXu @NewsfromScience
The philosopher must possess just as much aesthetic power as the poet. The people without aesthetic sense are our philosophers of the letter. The philosophy of the spirit is an aesthetic philosophy.
- Johann Christian Friedrich Hölderlin
Traditional and Cosmic Gods in Later Plato and the Early Academy, by Vilius Bartninkas
"This book sheds new light on Plato’s cosmology in relation to Greek religion by examining the contested distinction between the traditional and cosmic gods. A close reading of the later dialogues shows that the two families of gods are routinely deployed to organise and structure Plato’s accounts of the origins of the universe and of humanity and its social institutions, as well as to illuminate the moral and political ideals of philosophical utopias. Vilius Bartninkas argues that the presence of the two kinds of gods creates a dynamic, yet productive, tension in Plato’s thinking which is unmistakable and which is not resolved until the works of his students. Thus the book closes by exploring how the cosmological and religious ideas of Plato’s later dialogues resurfaced in the Early Academy and how the debates initiated there ultimately led to the collapse of this theological distinction."
https://t.co/hN651Tr19P
The influence of pantheism on poetry and literature was examined by Martin Priestman in Temples of Nature: Lucretian and Masonic Influence on Romantic Materialism, highlighting the revival of Lucretian poetry at the end of the 18th ce, its reception among pro-revolutionary circl
5-However, Hutton denied that this neo-paganism is truly pantheistic, arguing that these new religions are centered on human beings rather than nature and affirm the existence not only of a natural creative power but also of the devil.
4-Finally, Ronald Hutton discussed the presence of pantheism in certain forms of contemporary alternative spirituality that seek communion between humanity and nature and affirm the sacredness of nature, much like the legendary Druids.
3-Marco Bertozzi examined its influence on the writings of Karl Leonhard Reinhold. Through the Hermetic tradition, he explored the emergence of a conception of nature as a nameless divinity to be contemplated in its anonymous and ineffable sublimity.
1-In The Temple of Nature, Erasmus Darwin proposed a vision of matter as living and vital, together with a cult of nature whose rituals resembled Masonic practices.
The cult of nature was also widespread in Germany at the end of the eighteenth century and is particularly evident