photius @photius_ - Twitter Profile

@SenSanders Albania is a nation of fighters that was under a 50yrs dictatorship from people with your ideology sir. Thank you for the support but please…

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photius

@photius_

14 days ago

Suffering is a signal. You either do something about it or continue suffering until you understand. Don’t give up!

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photius

@photius_

15 days ago

This is precisely the reason of concern. The “project” is not the problem. That may even be a net positive for Albania. But the people waiting for a reason to show their frustration. This can turn into a crisis or an opportunity for you Mr. Prime Minister. History has shown that there is a thin line between turning a hero or a traitor. As always: choose wisely how you want to be remembered.

Edi Rama

@ediramaal

16 days ago

To @CNN International and to all the endless media outlets, big and small, together with all the well-meaning content producers of Facebook, X, Instagram, TikTok and every other platform that now shapes the global conversation, I would very much wish to pass the following post: As we speak, today’s protest has drawn roughly 2,000 participants. It is the lowest turnout so far, but even at its peak, participation never exceeded 8,000 people. So how is it that what much of the world has seen over the past days appears so enormous, so dramatic, so overwhelming? At some point, when the engineered digital hysteria of these days has passed and emotions have cooled, the democratic world should take a closer look at how the gap between reality and its representation became so vast. Not merely as a matter of this particular case, but as a symptom of something much larger. How could a tiny country become global news for reasons so disconnected from the reality on the ground? How could a local protest involving a few thousand people be transformed into an international spectacle? How could assumptions become facts, narratives become verdicts, and speculation become accepted truth before the basic facts were even established? And perhaps most importantly, what does it say about our information ecosystem when perception can travel around the world faster than reality itself? Because the reality is that there is no project yet. There is no building permit yet. There is no construction yet. There is not even a final design yet. There is only a vision and a plan: to transform Albania into the most attractive high-end tourism destination in this part of the world, while creating a net positive environmental development that, according to the current vision, would ultimately result in approximately 25% more trees and green space than exists today, alongside measurable improvements across multiple biodiversity indicators. The ambition is not merely to build. The ambition is to demonstrate that development and environmental enhancement can go hand in hand. That is precisely why some of the world’s leading experts in ecology, biodiversity, landscape architecture, environmental engineering and sustainable tourism are working on these concepts and parameters. Whether they succeed or fail is a matter for future assessment, science, public scrutiny and transparent debate. But presenting as an environmental catastrophe something that does not yet exist, has not yet been designed, has not yet been permitted, and whose stated objective is in fact to produce positive environmental outcomes, is not a serious contribution to public discussion. And yet, from this simple reality emerged a hurricane of digital hysteria, apocalyptic headlines, manufactured outrage and sweeping conclusions presented as established facts. Along the way came deepfakes, manipulated images, fabricated claims, coordinated amplification, anonymous networks and online behaviour that bears many of the characteristics of the hybrid information warfare that increasingly shapes public debate across democratic societies. Even more remarkably, social media platforms recorded an explosion in activity around this topic, with Albanian-language engagement increasing several-fold within just a few days. A significant part of this sudden surge appears to have been driven not by an organic expansion of public participation, but by the rapid proliferation of newly created profiles, anonymous accounts and pages with little or no identifiable history, raising legitimate questions about artificial amplification and the manufacturing of digital momentum.